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Margaret (Tennyson)

For works with similar titles, see Margaret.


  O sweet pale Margaret,
  O rare pale Margaret,
  What lit your eyes with tearful power,
  Like moonlight on a falling shower?
  Who lent you, love, your mortal dower
  Of pensive thought and aspect pale,
  Your melancholy sweet and frail
  As perfume of the cuckoo-flower?
  From the westward-winding flood,
  From the evening-lighted wood,
  From all things outward you have won
  A tearful grace, as tho' you stood
  Between the rainbow and the sun.
  The very smile before you speak,
  That dimples your transparent cheek,
  Encircles all the heart, and feedeth
  The senses with a still delight
  Of dainty sorrow without sound,
  Like the tender amber round,
  Which the moon about her spreadeth,
  Moving thro' a fleecy night.

 You love, remaining peacefully,
  To hear the murmur of the strife,
  But enter not the toil of life.
  Your spirit is the calmed sea,
  Laid by the tumult of the fight.
  You are the evening star, alway
  Remaining betwixt dark and bright:
  Lull'd echoes of laborious day
  Come to you, gleams of mellow light
  Float by you on the verge of night.

 What can it matter, Margaret,
  What songs below the waning stars
  The lion-heart, Plantagenet,
  Sang looking thro' his prison bars?
  Exquisite Margaret, who can tell
  The last wild thought of Chatelet,
  Just ere the falling axe did part
  The burning brain from the true heart,
  Even in her sight he loved so well?

  A fairy shield your Genius made
  And gave you on your natal day.
  Your sorrow, only sorrow's shade,
  Keeps real sorrow far away.
  You move not in such solitudes,
  You are not less divine,
  But more human in your moods,
  Than your twin-sister, Adeline.
  Your hair is darker, and your eyes
  Touch'd with a somewhat darker hue,
  And less aerially blue,
  But ever trembling thro' the dew
  Of dainty-woeful sympathies.

  O sweet pale Margaret,
  O rare pale Margaret,
  Come down, come down, and hear me speak:
  Tie up the ringlets on your cheek:
  The sun is just about to set.
  The arching lines are tall and shady,
  And faint, rainy lights are seen,
  Moving in the leavy beech.
  Rise from the feast of sorrow, lady,
  Where all day long you sit between
  Joy and woe, and whisper each.
  Or only look across the lawn,
  Look out below your bower-eaves,
  Look down, and let your blue eyes dawn
  Upon me thro' the jasmine-leaves.

This work was published before January 1, 1924, and is in the public domain worldwide because the author died at least 100 years ago.