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Motion Pictures, 1912-1939/Main/AF

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  • AN AFFAIR FOR THE POLICE. 1914. 2 reels.
    • Credits: Director, William Humphrey.
    • © Vitagraph Co. of America (Jane Lennox, author); 11Dec14; LP3950.
  • THE AFFAIR OF SUSAN. Presented by Carl Laemmle. 1935. 7 reels, sd.
    • Credits: Producer, David Diamond; director, Kurt Neumann; story, Mann Page; screenplay, Clarence Marks, Andrew Bennison, H. M. Walker; film editor, Phil Cahn; music direction, Bakaleinikoff.
    • © Universal Pictures Corp.; 4Oct35; LP5833.
  • AN AFFAIR OF THE FOLLIES. 1927. 7 reels. From the story "Here Y'Are Brother" by Dixie Willson.
    • Credits: Producer, Al Rockett; director, Millard Webb; scenario, Carey Wilson.
    • © First National Pictures, Inc.; 27Jan27; LP23598.
  • AN AFFAIR OF THREE NATIONS; an Exploit in the Career of Ashton-Kirk, Investigator. © 1915.
    • © Pathé Frères; title, descr. & 146 prints, 25Oct15; LU6764.
  • AFFAIRS OF A GENTLEMAN. 1934. 7 reels. From a play by Edith and Edward Ellis.
    • Credits: Director, Edward L. Marin; screenplay, Cyril Hume, Peter Ruric, Milton Krims.
    • © Universal Pictures Corp.; 12May34; LP4683.
  • THE AFFAIRS OF ANATOL. 1921. 9 reels. Suggested by the play by Arthur Schnitzler.
    • Credits: Jeanie McPherson; producer, Cecil B. DeMille.
    • © Famous Players-Lasky Corp.; 11Sep21; LP16961.
  • THE AFFAIRS OF ANNABEL. 1938. 68 min., sd.
    • Credits: Producer, Lou Lusty; director, Ben Stoloff; story, Charles Hoffman; screenplay, Bert Granet, Paul Yawitz; editor, Jack Hively; music director, Roy Webb.
    • © RKO Radio Pictures, Inc.; 9Sep38; LP8336.
  • AFFAIRS OF CAPPY RICKS. 1937. 7 reels, sd.
    • Credits: Associate producer, Burt Kelly; director, Ralph Staub; story, Peter B. Kyne; original screenplay, Lester Cole.
    • © Republic Pictures Corp.; 24May37; LP7230.
  • THE AFFAIRS OF CELLINI. 1934. 9 reels, sd. From the play by Edwin Justus Mayer.
    • Credits: Associate producers, William Goetz, Raymond Griffith; director, Gregory La Cava; screenplay, Bess Meredyth.
    • © 20th Century Pictures, Inc.; 18May34; LP4696.
  • THE AFFAIRS OF HANNERL. SEE Love Me and the World Is Mine.
  • THE AFFAIRS OF PIERRE. Presented by E. W. Hammons. 1937. 1,754 ft., sd.
    • Credits: Producer, Al Christie; story, Parke Levy, Marcy Klauber, Arthur Jarrett.
    • © Educational Films Corp. of America; 6Aug37; LP7333.
  • AFFINITIES. 1915. 2 reels. From the story by Mary Roberts Rinehart.
    • Credits: Director, E. H. Calvert.
    • © Essanay Film Mfg. Co.; 10Sep15; LP6335.
  • AFLAME IN THE SKY. Released by F. B. O. 1927. 6 reels.
    • Credits: Director, J. P. McGowan; story, Mary Roberts Rinehart; screenplay and continuity, Ewart Adamson.
    • © R-C Pictures Corp.; 28Nov27; LP24688.
  • AFRAID TO FIGHT. 1922. 5 reels.
    • Credits: Director, William Worthington; story, Leete Renick Brown; scenario, Charles Sarver.
    • © Universal Film Mfg. Co., Inc.; 5Jul22; LP18030.
  • AFRAID TO LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 7 reels. Based on the play "The Marriage of Kitty" by Fred de Grésac and F. de Croisset.
    • Credits: Director, E. H. Griffith; adaptation, Doris Anderson; screenplay, Doris Anderson, Joseph Jackson.
    • © Famous Players-Lasky Corp.; 2Apr27; LP23860.
  • AFRAID TO TALK. 1932. 8 reels. From the drama by George Sklar and Albert Maltz.
    • Credits: Director, Edward L. Cahn; screenplay, Tom Reed.
    • © Universal Pictures Corp.; 31Oct32; LP3380.

​

  • AFRICA. (A Walter Lantz Bill Nolan Cartoon) (An Oswald Cartoon) 1930. 1 reel.
    • Credits: Animation, Walter Lantz, Bill Nolan.
    • © Universal Pictures Corp.; 25Nov30; MP2077.
  • AFRICA BEFORE DARK. (An Oswald Cartoon) Snappy. 1928. 1 reel.
    • Credits: Walt Disney.
    • © Universal Pictures Corp.; 3Feb28; LP24972.
  • AFRICA, LAND OF CONTRAST. (M. G. M. Traveltalk) 1934. 1 reel, sd.
    • Credits: Compiled by James A. FitzPatrick.
    • © Metro Goldwyn Mayer Corp.; 9Jul34; MP4947.
  • AFRICA SHRIEKS. 1931. 1 reel.
    • © The Vitaphone Corp.; 5Feb31; MP2281.
  • AFRICA SPEAKS. 1930. For Colorado African Expedition, Inc. 8 reels, sd.
    • Credits: Produced and filmed by Paul A. Hoefler and Walter A. Futter.
    • © Columbia Pictures Corp.; 17Oct30; LP1651.
  • AFRICA SPEAKS ENGLISH. 1933. 1 reel, sd.
    • Credits: Director, Roy Mack; story, Burnet Hershey.
    • © The Vitaphone Corp.; 6Feb33; LP3638.
  • AFRICA SQUAWKS. 1931. 2 reels, sd.
    • Credits: Producer, Phil Goldstone.
    • © Tiffany Productions of California, Inc., Ltd.; 3Aug31; LP2372.
  • AFRICA SQUAWKS. (A Terry-Toon) 1939. 1 reel, sd.
    • Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.
    • © Terrytoons, Inc.; 30Jun39; MP9508.
  • AFRICA SQUEAKS. (Flip the Frog Cartoon) 1932. 1 reel.
    • © Metro-Goldwyn-Mayer Distributing Corp.; 19Feb32; MP3167.
  • AN AFRICAN ADVENTURE. 1927. 1 reel.
    • © Metro Goldwyn Mayer Dist. Corp.; 14Sep27; MP4527.
  • AN AFRICAN BOMA. (Adventures in Africa, no. 2) 1931. 2 reels.
    • © The Vitaphone Corp.; 13Apr31; MP2467.
  • THE AFRICAN DIAMOND CONSPIRACY. Societa Italiana Cines, Italy. © 1914.
    • © George Kleine (Societa Italiana Cines, author); title, descr. & 81 prints, 14Janl4; LU1960.
  • THE AFRICAN DODGER. 1931. 1 reel, sd.
    • Credits: Director, Mort Blumenstock; story, Tom Howard; dialogue staged by Max E. Hayes.
    • © Paramount Publix Corp.; 3Apr31; LP2126.
  • AN AFRICAN HUNT. 1915. 400 ft. On same reel with "Susie's Suitors."
    • Credits: Drawn by Vincent Whitman.
    • © Lubin Mfg. Co. (Vincent Whitman, author); 15Jul15; MP374.
  • AFRICAN HUNT. SEE Paul J. Rainey's African Hunt.
  • AFRICAN HUNTSMEN. © 1924.
    • © Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 20 prints, 11Dec24; MU2805.
  • AFRICAN LIONS AND AMERICAN BEAUTIES. 1919. 2 reels.
    • Credits: Written and directed by Fred C. Fishback.
    • © Century Comedies; 25Oct19; LP14340.
  • AFRICAN SEA BIRDS. 1913. 1 reel.
    • © Thomas A. Edison, Inc.; 20Dec13; MP114.
  • AFTER A REPUTATION. Century. 1925. 2 reels.
    • Credits: Written and directed by William Watson.
    • © Universal Pictures Corp.; 19Mar25; LP21261.
  • AFTER ALL. SEE New Morals for Old.
  • AFTER BIG GAME OF THE SEA. Sterling. 1915. Split reel.
    • © Universal Film Mfg. Co., Inc.; 22Apr15; MP311.
  • AFTER BUSINESS HOURS. 1925. 5,600 ft. Adapted from the story "Everything Money Can Buy" by Ethel Watts Mumford.
    • Credits: Director, Mal St. Clair; scenario, Douglas Doty; editor, Errol Taggard.
    • © Columbia Pictures Corp.; 22Apr25; LP21394.
  • AFTER DARK. © 1915. Based on the play by Dion Boucicault.
    • © World Film Corp. (E. M. Ingleton, author); title, descr. & 147 prints, 3Sep15; LU6270.
  • AFTER DARK. © 1924.
    • Credits: Screenplay, J. F. Natteford.
    • © Hurricane Film Corp. (J. F. Natteford, author); title, descr. & 273 prints, 1Nov24; LU20726.
  • AFTER DEATH. © 1913.
    • © George Kleine (Societa Italiana Cines, author); title, descr. & 100 prints, 6Dec13; LU1742.
  • AFTER FIVE. © 1915. Based on the play by Cecil B. DeMille and William C. DeMille.
    • © Jesse L. Lasky Feature Play Co., Inc. (William C. DeMille and Cecil B. De Mille, authors); title, descr. & 19 prints, 25Jan15; LU4276.
  • AFTER FIVE. SEE The Night Club.
  • AFTER HENRY. Metro-Drew. 1918. 1 reel.
    • Credits: Written and directed by Mr. and Mrs. Sidney Drew.
    • © Metro Pictures Corp.; 12Feb18; LP12055.
  • AFTER HIS OWN HEART. 1919. 5 reels. From the story by Ben Ames Williams.
    • Credits: Producer, Maxwell Karger; director, Harry L. Franklin; scenario, A. S. Le Vino.
    • © Metro Pictures Corp.; 2May19; LP13665.
  • AFTER MANY YEARS. © 1913.
    • © Albert Blinkhorn (General Film Agency, Ltd., author); title, descr. & 78 prints, 8Dec13; LU1761.
  • AFTER MARRIAGE. Presented by J. G. Mayer. 1923. 5 reels.
    • Credits: Written and directed by Norman Dawn.
    • © Mayer & Quinn; 28Dec23; LP19781.
  • AFTER MIDNIGHT. 1921. 5 reels.
    • Credits: Producer, Ralph Ince; story, John Lynch.
    • © Selznick Pictures Corp.; 9Sep21; LP16978.
  • AFTER MIDNIGHT. 1927. 7 reels, b&w.
    • Credits: Production, direction, and story, Monta Bell; scenario, Lorna Moon; titles, Joe Farnham; film editor, Blanche Sewell.
    • © Metro Goldwyn Mayer Distributing Corp.; 17Aug27; LP24413.
  • AFTER OFFICE HOURS. A Robert Z. Leonard production. 1935. 7 reels, sd., b&w.
    • Credits: Producer, Bernard H. Hyman; director, Robert Z. Leonard; story, Laurence Stallings, Dale Van Every; screenplay, Herman J. Mankiewicz; film editor, Tom Held.
    • © Metro-Goldwyn-Mayer Corp.; 11Feb35; LP5349.
  • AFTER SEBEN. 1929. 2 reels.
    • Credits: Director, S. Jay Kaufman; story, James Barton.
    • © Paramount Famous Lasky Corp.; 17May29; LP392.
  • AFTER SIX DAYS. Presented by Weiss Brothers. 1922. 10 reels. From stories of the Old Testament.
    • Credits: Producers and directors, Armando Vay, Piero Antonio Gariazzo; edited and titled by Kathyrne Stuart.
    • © Artclass Pictures Corp.; 17Jun22; LP20253.
  • AFTER THE BALL. © 1914. Taken from the song by Charles K. Harris.
    • Credits: Picturized and directed by Pierce Kingsley.
    • © Photo Drama Co. (Chas. K. Harris & Pierce Kingsley, authors); title, descr. & 160 prints, 8Jul14; LU2984.
  • AFTER THE BALL. 1923. For Theatre Owners Distributing Corp. 7 reels. Adapted from the song by Charles K. Harris.
    • Credits: Director, Dallas M. Fitzgerald; story, Charles K. Harris; scenario, James Colwell.
    • © Renco Film Co., Inc.; 29Dec23; LP19780.
  • AFTER THE BALL. 1929. 1 reel, sd.
    • Credits: Director, Dave Fleischer.
    • © Paramount Famous Lasky Corp.; 8Nov29; MP822.
  • AFTER THE BALL. Gaumont-British, London. 1933. 6,454 ft., sd.
    • Credits: Director, Milton Rosmer; adaptation, H. M. Harwood.
    • © Fox Film Corp.; 6Mar33; LP3700.
  • AFTER THE BALLED-UP BALL. 1917. 2 reels.
    • Credits: Director, J. A. Howe; supervision, J. G. Blystone.
    • © L-Ko Motion Picture Kompany, Inc.; 8Feb17; LP10151.
  • AFTER THE BATTLE. Special Big U. 1916. 2 reels.
    • © Universal Film Mfg. Co., Inc.; 14Sep16; LP9114.
  • AFTER THE CIRCUS. (Paramount-Briggs) 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.
    • Credits: Director, John William Kellette; scenario, Doty Hobart.
    • © Famous Players-Lasky Corp.; 15Nov19; LP14501.
  • AFTER THE DANCE. 1935. 7 reels, sd.
    • Credits: Director, Leo Bulgakov; story, Harrison Jacobs; screenplay, Harold Shumate; additional dialogue, Bruce Manning; film editor, Otto Meyer; music, Harry Akst.
    • © Columbia Pictures Corp.; 30Jul35: LP5690.
  • AFTER THE HONEYMOON. © 1912.
    • © Biograph Co. (V. Fulton, author); title, descr. & 86 prints, 27Nov12; LU135.
  • AFTER THE ORDER—THEN WHAT? 1928. 1 reel. ​
    • © Willys-Overland, Inc. (Raymond J. Faller, author); 20Jul28; MP5301.
  • AFTER THE PLAY. Victor. 1916. 1 reel.
    • Credits: Producer, William Worthington; story, Robert McGowan; scenario, Ben Cohn.
    • © Universal Film Mfg. Co., Inc.; 18Feb16; LP7670.
  • AFTER THE RAIN. SEE The Painted Woman.
  • AFTER THE SHOW. 1921. 7 reels.
    • Credits: Director, William De Mille; story, Rita Weiman.
    • © Famous Players-Lasky Corp.; 30Oct21; LP17172.
  • AFTER THE SHOW. (Melody Comedy) 1929. 2 reels, sd.
    • Credits: Production, direction and story, Harry Delmar; supervision, Philip Tannura; film editor, E. Pfitzenmeier.
    • © Pathe Exchange, Inc.; 14Oct29; LP776.
  • AFTER THE SQUALL IS OVER. 1928. 2 reels.
    • Credits: Director, Albert Herman; story, E. V. Durling, W. H. Woodmansee.
    • © F. B. O. Productions, Inc. (Larry Darmour Productions, author); 17Apr28; LP25243.
  • AFTER THE STORM. © 1915.
    • © American Film Mfg. Co.; title & descr., 5Aug15; 81 prints, 4Aug15; LU6017.
  • AFTER THE STORM. 1915. 2 reels.
    • © Biograph Co.; 9Mar15; LP4661.
  • AFTER THE STORM. 1928. 6 reels.
    • Credits: Producer, Harry Cohn; director, George B. Seitz; story, Harold Shumate; continuity, Will M. Ritchey.
    • © Columbia Pictures Corp.; 19May28; LP25271.
  • AFTER THE THIN MAN. 1936. 12 reels, sd., b&w. From a story by Dashiell Hammett.
    • Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke; screenplay, Frances Goodrich, Albert Hackett; film editor, Robert J. Kern; music score, Herbert Stothart, Edward Ward.
    • © Metro-Goldwyn-Mayer Corp.; 21Dec36; LP6821.
  • AFTER THE WAR. 1919. 5 reels.
    • Credits: Director, Joseph DeGrasse; story, Kingsley Benedict; scenario, Harvey Gates.
    • © Universal Film Mfg. Co., Inc.; 2Jan19; LP13223.
  • AFTER THE WELSH RAREBIT. 1913. 1 reel.
    • Credits: William W. Hansom.
    • © Thomas A. Edison, Inc.; 31Jan13; LP359.
  • AFTER TOMORROW. 1932. 7,100 ft., sd. Based on the stage play by John Golden and Hugh S. Stange.
    • Credits: Director, Frank Borzage; screenplay, Sonya Levien; editor, Margaret Clancy.
    • © Fox Film Corp.; 12Feb32; LP2881.
  • AFTER TONIGHT. 1933. 8 reels, sd.
    • Credits: Associate producer, H. N. Swanson; story, Jane Murfin; screenplay, Jane Murfin, Albert Shelby LeVino, Worthington Miner; editor, William Hamilton; music director, Max Steiner.
    • © RKO Radio Pictures, Inc.; 2Nov33; LP4284.
  • AFTER VACATION THERE IS A JOB TO BE DONE. 1930. 1 reel.
    • © Willys-Overland, Inc. (Raymond J. Faller, author); 1Sep30; MP1903.
  • AFTER YOUR OWN HEART. 1921. 5 reels.
    • Credits: Director, George Marshall; story, William Wallace Cook; adaptation, Tom Mix; edited and titled by Ralph Spence.
    • © William Fox (Fox Film Corp., author); 7Aug21; LP16853.
  • THE AFTERMATH. © 1914.
    • © American Film Mfg. Co. (G. A. Posner, author); title & descr., 28Aug14; 102 prints, 26Aug14; LU3275.
  • AN AFTERNOON MIRACLE. 1920. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].
    • Credits: Director, David Smith; scenario, Robert A. Sanborn.
    • © The Vitagraph Co. of America; 6May20; LP15092.
  • AFTERNOON OF A FAUN. SEE L'Après-Midi d'un Faune.
  • AFTERWARDS. SEE Their Big Moment.

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