II
THE FIRST LESSON
It was not a very rapid descent. The art of sniping and its attendant pastime scouting is not learned in a day. Moreover, in company with the other games that are played in the trenches, it has the one dominant feature about it. One mistake made in the rules is one too many; there is no chance of making a second. True, the player will have taught the man who takes his place yet another of the things not to do; but personally—even at the risk of being dubbed a pessimist—the method of teaching is one I would prefer to see others employ, sentiments which were shared to the full by Shorty Bill. Therefore our superior young friend, having gazed upon the result of a sniper's bullet, and in the gazing remoulded his frock-coated existence, could not have come under a better master.
Shorty Bill was a bit of a character. Poacher and trapper, with an eye like a lynx and a fore-arm like a bullock's leg, he was undoubtedly a tough proposition. What should have made him take a liking to Reginald is one of those things which passes understanding, for two more totally dissimilar characters can hardly be imagined. Our friend—at the time of the shooting of Black Fritz—was essentially of that type of town-bred youth who sneers at authority behind its back and cringes to its face. Such a description may sound worse than the type deserves; for all that, it is a true one of the street-bred crowd—they've been reared on the doctrine. Shorty was exactly the reverse. Shorty, on one occasion, having blocked six miles of traffic with a fractious mule, and being confronted suddenly by an infuriated Staff officer who howled at him, smiled genially and electrified the onlookers by remarking pleasantly, "Dry up, little man; this is my show." That was Shorty in front of authority. Behind its back—well, his methods may not have commended themselves to purists in etiquette, but I have known officers sigh with relief when they have found out unofficially that Shorty had taken some little job or other into his own personal care. There are many little matters—which need not be gone into, and which are bound to crop up when a thousand men are trying to live as a happy family—where the unofficial ministrations of our Shorty Bills—and they are a glorious if somewhat unholy company—are worth the regimental sergeant-major, the officers, and all the N.C.O.'s put together. But—I digress; sufficient has been said to show that the two characters were hardly what one would have expected to form an alliance.
The gentle art of sniping in the battalion when Bill joined with a draft had been woefully neglected. In fact, it was practically non-existent. It is not necessary to give any account of how Bill got the ear of his platoon commander, how he interested him in the possibilities of sniping in trench warfare, or any other kind of warfare for that matter, and how ultimately his platoon officer became mad keen, and with the consent of his C.O. was made Battalion sniping officer. Though interesting possibly to students of the gun and other subjects intimately connected with sniping, I have not the time to describe the growth of the battalion scouts from a name only to the period when they became a holy terror to the Hun. I am chiefly concerned with the development of our frock-coated friend into a night prowler in holes full of death and corruption, and one or two sage aphorisms from the lips of Shorty Bill which helped that development. They were nothing new or original, those remarks of his teacher, and yet they brought home to him for the first time in his life the enormous gulf which separated him from the men who live with nature.
"Say, kid, do you ever read poetry?" remarked Bill to him one night soon after the episode of the brick-bats as they sat in an estaminet. "I guess your average love tosh leaves me like a one-eyed codfish; but there's a bit I've got in me head writ by some joker who knows me and the likes o' me.
"'There's a whisper on the night wind, there's a star agleam to guide us,
And the wild is calling, calling … let us go.'"
Shorty contemplatively finished his beer. "'The wild is calling.' Ever felt that call, kid?"
"Can't say I have, Shorty." His tone was humble; gone was the pathetic arrogance that had been the pride of Mogg's; in its place the beginnings of the realisation of his utter futility had come, coupled with a profound hero worship for the man who had condescended to notice him. "When are you going to teach me that sniping game?"
The real sniping commander of the battalion—I mean no disrespect to the worthy young officer who officially filled that position—looked at the eager face opposite him and laughed.
"You'd better quit it, son. Why, to start with, you're frightened of the dark."
"I'm damned if I am." The aggrieved Percy waxed indignant.
"Oh, cut it out! I don't mean you're frightened of going to bed in the dark, or that you want a night-light or a nurse. But yours is a town dark: standing under lamps gettin' the glad from a passing skirt. But in the real dark, when it's pressing round you like a blanket, and there are things moving, and people breathing near by, and you don't know whether it's a German or a pal, or where the wire is, or which way your own trenches are—what then, son, what then? Why, I reckon you don't even know which the Pole Star is, or what it's there for?"
"I guess not, Shorty," remarked the other, abashed; "but I'd soon learn, if you'd teach me."
"Well, I'll see. An' there's that blamed old woman with a face like a wet street tryin' to shut up the shop. Give me another, mother darling; no good your na-poohing me—I'm going to have it if I takes it."
Being what he was he got it, and that evening the lessons began. Going back to their billet, they had to cross a field. It was a pitch-black night, and before they had proceeded twenty yards Reggie could hardly see his hand in front of his face.
"Dark, Shorty, ain't it?" he remarked.
There was no answer, and he stopped and repeated the question. Still no answer, though he seemed to feel some one close by. Something brushed his face, and then silence. With a short laugh he walked on—a laugh which had just the faintest touch of bravado in it. Four times in the distance to the billet did that something brush his face again, and though each time he felt that there was some one near him, yet he heard nothing. The fourth time he stopped and spoke.
"Is that you, Shorty?" The next instant he gave a jump of pure nervous fright. From within six inches of his ear came the single word "Yep."
"Jove! You did give me a start." He laughed a little shakily. "Where have you been?"
"Circling round you, son, dusting your face with my glove. Understand now what I meant by helpless in the dark?"
Thus ended the first lesson. …
The others followed in due course. The correct way to crawl through grass so as to avoid being mistaken for a rhinoceros going to water; the power of observation so as to be able to spot a change in the German trenches—maybe, only a few sand bags moved, but just enough to place the position of a machine gun; the value of disguise to defeat the curious on the other side; patience, the way to fire a rifle, the use of his eyes. All these and certain other things was he taught.
And the certain other things were mysterious and secret. They occurred at odd times and in odd places, and the instructor was always Shorty Bill personally.
"Some men," he would say, "like killing with a rifle; I do for one. Some like killing with a revolver; not bad either, and essential, son, when you're out on the tiles by night and can't carry a rifle. A rifle is a dam nuisance at night if one's on patrol, whatever any one says to the contrary. An' if you don't carry a gun you can't use a bayonet, which is a beautiful method of sticking 'em." Shorty thoughtfully removed his pipe. "I was almost converted to the bayonet one day by a pal of mine. He's dead now, poor devil, but he lived well. He was givin' tongue over the beauties of picking Huns out of dug-out entrances with the bayonet like winkles out of their shells with a pin. Gosh! it was great—that boy's palaver. He almost converted me, an' then I showed him a couple o' little stunts of mine." Shorty put his pipe in his pocket. "Come here, son, an' pay attention. It was through forgetting in the excitement of the moment and not payin' attention that my pal the winkle plucker went west."
Thus the mysterious lesson would start. "There'll come a time one night, boy, when you're out in the dark, an' you're crawling near the wire, when you'll feel on a sudden there's some one near you. Maybe, by the smell of him, you'll know it's a Boche. Well—then it's up to you to make good. You can plug him with your hand gun when you've got his dirty face dead set; but if you start shooting practice in No Man's Land, the audience join in. So I'll just show you a couple o' little tricks—silent tricks, which you can use when you get your hands on him. They kill just as clean if not cleaner than a gun, and no one's the wiser. Now come at me as if you meant to hurt me. No; not as if you were out pushing the baby in the pram, but just as if you was goin' all out to kill me. That's better, son; an' where are you now?"
To be correct our one and only Reginald was lying on his face with the unpleasant knowledge in his brain that if he moved an inch his left arm would snap at the elbow; and that kneeling above him Shorty held, in the neighbourhood of his ear, a villainous weapon of his own invention, which resembled a cross between a bill-hook and a kukri.
"You see the idea, boy, don't you? Now, you ask him if he'd like to surrender, and if you don't understand what he says or he seems doubtful like, put your clasp knife in there." Reginald felt a prick under his right ear. "Right in—you take me. Get up, and we'll do it again."
"Where did you learn that, Shorty?" asked our pupil as he got up.
"A Jap taught me that an' a good few more in Los Angeles. Jujitsu, he said it was; dam good sense I call it. Come on—it takes practice."
And Reginald Simpkins practised. With growing confidence he practised day in, day out. Mogg's had faded into the limbo of forgotten things; his horizon consisted of a fœtid shell hole, a panting, writhing Hun fighting for his life in the darkness of the night, a cracking arm and then … His imagination never took him beyond that point. Sufficient of the old Adam of gentility still remained to prevent him picturing the final tableau. You see, Reginald Simpkins had not as yet killed anything larger than a rat, and even then he had bungled. …