O. Henry Memorial Award Prize Stories, 1919/The Elephant Remembers

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O. Henry Memorial Award Prize Stories, 1919 (1920)

The Elephant Remembers by Edison Marshall

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This story first appeared in Everybody's Magazine (Oct, 1919)

4556216O. Henry Memorial Award Prize Stories, 1919 — The Elephant Remembers1920Edison Marshall

THE ELEPHANT REMEMBERS

By EDISON MARSHALL

From Everybody’s Magazine

AN elephant is old on the day he is born, say the natives of Burma, and no white man is ever quite sure just what they mean. Perhaps they refer to his pink, old-gentleman’s skin and his droll, fumbling, old-man ways and his squeaking treble voice. And maybe they mean he is born with a wisdom such as usually belongs only to age. And it is true that if any animal in the world has had a chance to acquire knowledge it is the elephant, for his breed are the oldest residents of this old world.

They are so old that they don’t seem to belong to the twentieth century at all. Their long trunks, their huge shapes, all seem part of the remote past. They are just the remnants of a breed that once was great.

Long and long ago, when the world was very young indeed, when the mountains were new, and before the descent of the great glaciers taught the meaning of cold, they were the rulers of the earth, but they have been conquered in the struggle for existence. Their great cousins, the mastodon and the mammoth, are completely gone, and their own tribe can now be numbered by thousands.

But because they have been so long upon the earth, because they have wealth of experience beyond all other creatures, they seem like venerable sages in a world of children. They are like the last veterans of an old war, who can remember scenes and faces that all others have forgotten.

Far in a remote section of British India, in a strange, wild province called Burma, Muztagh was born. And although he was born in captivity, the property of a mahout, in his first hour he heard the far-off call of the wild elephants in the jungle.

The Burmans, just like the other people of India, always watch the first hour of a baby’s life very closely. They know that always some incident will occur that will point, as a weather-vane points in the wind, to the baby’s future. Often they have to call a man versed in magic to interpret, but sometimes the prophecy is quite self-evident. No one knows whether or not it works the same with baby elephants, but certainly this wild, far-carrying call, not to be imitated by any living voice, did seem a token and an omen in the life of Muztagh. And it is a curious fact that the little baby lifted his ears at the sound and rocked back and forth on his pillar legs.

Of all the places in the great world, only a few remain wherein a captive elephant hears the call of his wild brethren at birth. Muztagh’s birthplace lies around the corner of the Bay of Bengal, not far from the watershed of the Irawadi, almost north of Java. It is strange and wild and dark beyond the power of words to tell. There are great dark forests, unknown, slow-moving rivers, and jungles silent and dark and impenetrable.

Little Muztagh weighed a flat two hundred pounds at birth. But this was not the queerest thing about him. Elephant babies, although usually weighing not more than one hundred and eighty, often touch two hundred. The queerest thing was a peculiarity that probably was completely overlooked by his mother. If she saw it out of her dull eyes, she took no notice of it. It was not definitely discovered until the mahout came out of his hut with a lighted fagot for a first inspection.

He had been wakened by the sound of the mother’s pain. “Hai!” he had exclaimed to his wife. “Who has ever heard a cow bawl so loud in labour? The little one that to-morrow you will see beneath her belly must weigh more than you!”

This was rather a compliment to his plump wife. She was not offended at all. Burman women love to be well-rounded. But the mahout was not weighing the effect of his words. He was busy lighting his fire-brand, and his features seemed sharp and intent when the beams came out. Rather he was already weighing the profits of little Muztagh. He was an elephant-catcher by trade, in the employ of the great white Dugan Sahib, and the cow that was at this moment bringing a son into the world was his own property. If the baby should be of the Kumiria———

The mahout knew elephants from head to tail, and he was very well acquainted with the three grades that compose that breed. The least valuable of all are the Mierga—a light, small-headed, thin-skinned, weak-trunked and unintelligent variety that are often found in the best elephant herds. They are often born of the most noble parents, and they are as big a problem to elephant men as razor-backs to hog-breeders. Then there is a second variety, the Dwasala, that compose the great bulk of the herd—a good, substantial, strong, intelligent grade of elephant. But the Kumiria is the best of all; and when one is born in a captive herd it is a time for rejoicing. He is the perfect elephant—heavy, symmetrical, trustworthy and fearless—fitted for the pageantry of kings.

He hurried out to the lines, for now he knew that the baby was born. The mother’s cries had ceased. The jungle, dark and savage beyond ever the power of man to tame, lay just beyond. He could feel its heavy air, its smells; its silence was an essence. And as he stood, lifting the fagot high, he heard the wild elephants trumpeting from the hills.

He turned his head in amazement. A Burman, and particularly one who chases the wild elephants in their jungles, is intensely superstitious, and for an instant it seemed to him that the wild trumpeting must have some secret meaning, it was so loud and triumphant and prolonged. It was greatly like the far-famed elephant salute—ever one of the mysteries of those most mysterious of animals—that the great creatures utter at certain occasions and times.

This work is in the public domain in the United States because it was published before January 1, 1929.

The longest-living author of this work died in 1967, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 56 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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