that they might be able to escape, through some accident or stratagem, from the difficult situation that had been prepared for them, or fancied that the God of Elijah would no more furnish the proof of His deity that was desired of Him than Baal would. In order, however, to cut off every subterfuge in the event of their attempt proving a failure, Elijah not only yielded the precedence to them on the occasion of this sacrifice, but gave them the choice of the two oxen brought to be offered; which made the fairness of his proposal so much the more conspicuous to every one, that the people willingly gave their consent.
Verses 26-29
The prophets of Baal then proceeded to the performance of the duty required. They prepared (יעשׂוּ) the sacrifice, and called solemnly upon Baal from morning to noon: “O Baal, hear us,” limping round the altar; “but there was no voice, and no one to hear (to answer), and no attention.” פּסּח is a contemptuous epithet applied to the pantomimic sacrificial dance performed by these priests round about the altar,[1] עשׂה אשׁר (“which one had made”).
Verses 27-29
As no answer had been received before noon, Elijah cried out to them in derision: “Call to him with a loud voice, for he is God (sc., according to your opinion), for he is meditating, or has gone aside (שׂי, secessio), or is on the journey (בּדּרך, on the way); perhaps he is sleeping, that he may wake up.” The ridicule lies more especially in the הוּא אלהים כּי (for he is a god), when contrasted with the enumeration of the different possibilities which may have occasioned their obtaining no answer, and is heightened by the earnest and threefold repetition of the כּי. With regard to these possibilities we may quote the words of Clericus: “Although these things when spoken of God are the most absurd things possible, yet idolaters could believe such things, as we may see from Homer.” The priests of Baal did actually begin therefore to cry louder than before, and scratched themselves with swords and lances, till the blood poured out, “according to their custom” (כּמשׁפּטם). Movers describes this as follows (Phönizier, i. pp. 682,683), from statements made by ancient authors concerning the processions of the strolling
- ↑ The following is the description which Herodian (hist. v. 3), among others, gives of Heliogabalus when dancing as chief priest of the Emesinian sun-god: Ἱερουγοῦντα δὴ τοῦτον, περί τε τοῖς βωμοῖς χορεύοντα νόμῳ Βαρβάρων, ὑπό τε αὐλοῖς καὶ σύριγξι παντοδαπῶν τε ὀργάνων ἤχῳ.
