significations (בתרי לישׁני), since in the present passage it does not, as elsewhere, signify sand. (4) Kimchi, in his Lex., says: “in a correct Jerusalem MS I found the observation: בשׁורק לנהרדעי ובחלם למערבאי, i.e., וכחוּל according to the Nehardean (Babylonian) reading, וכחול according to the western (Palestine) reading;” according to which, therefore, the Babylonian Masoretic school distinguished וכחול in the present passage from וכחול, Gen 22:17, even in the pronunciation. A conclusion respecting the great antiquity of this lexical tradition may be drawn (5) from the lxx, which translates ὥσπερ στέλεχος φοίνικος, whence the Italic sicut arbor palmae, Jerome sicut palma.
If we did not know from the testimonies quoted that חול is the name of the phoenix, one might suppose that the lxx has explained וכחול according to the Arab. nachl, the palm, as Schultens does; but by a comparison of those testimonies, it is more probable that the translation was ὥσπερ φοῖνιξ originally, and that ὥσπερ στέλεχος φοίνικος is an interpolation, for φοῖνιξ signifies both the immortal miraculous bird and the inexhaustibly youthful palm.[1]
We have the reverse case in Tertullian, de resurrectione carnis, c. xiii., which explains the passage in Ps; Psa 92:13, δίκαιος ὡς φοῖνιξ ἀντηήσει, according to the translation justus velut phoenix florebit, of the ales orientis or avis Arabiae, which symbolizes
- ↑ According to Ovid, Metam. xv. 396, the phoenix makes its nest in the palm, and according to Pliny, h. n. xiii. 42, it has its name from the palm: Phoenix putatur ex hujus palmae argumento nomen accepisse, iterum mori ac renasci ex se ipsa; vid., A. Hahmann, Die Dattelpalme, ihre Namen und ihre Verehrung in der alten Welt, in the periodical Bonplandia, 1859, Nr. 15, 16. Masius, in his studies of nature, has very beautifully described on what ground “the intelligent Greek gave a like name to the fabulous immortal bird that rises again out of its own ashes, and the palm which ever renews its youth.” Also comp. (Heimsdörfer's) Christliche Kunstsymbolik, S. 26, and Augusti, Beiträge zur christl. Kunst-Geschichte und Liturgik, Bd. i. S. 106-108, but especially Piper, Mythologie der christl. Kunst (1847), i. 446f.
