אשׁוּע, however, is a circumstantial clause declaring the purpose (Ew. §337, b; comp. De Sacy, Gramm. Arabe ii. §357), as is frequently the case after קום, Job 16:8; Psa 88:11; Psa 102:14 : surrexi in publico ut lamentarer, or lamentaturus, or lamentando. In this lament, extorted by the most intense pain, which he cannot hold back, however many may surround him, he is become a brother of those תּנּים, jackals (canes aurei), whose dolorous howling produces dejection and shuddering in all who hear it, and a companion of בּנות יענה, whose shrill cry is varied by wailing tones of deep melancholy.[1]
The point of comparison is not the insensibility of the hearers (Sforno), but the fellowship of wailing and howling together with the accompanying idea of the desert in which it is heard, which is connected with the idea itself (comp. Mic 1:8).
Verse 30
Now for the first time he speaks of his disfigurement by leprosy in particular: my skin (עורי, masc., as it is also used in Job 19:26, only apparently as fem.) is become black (nigruit) from me, i.e., being become black, has peeled from me, and my bones (עצמי, construed as fem. like Job 19:20; Psa 102:6) are consumed, or put in a glow (חרה, Milel, from חרר, as Eze 24:11)
- ↑ It is worth while to cite a passage from Shaw's Travels in Barbary, ii. 348 (transl.), here: “When the ostriches are running and fighting, they sometimes make a wild, hideous, hissing noise with their throats distended and beaks open; at another time, if they meet with a slight opposition, they have a clucking or cackling voice like our domestic fowls: they seem to rejoice and laugh at the terror of their adversary. During the loneliness of the night however, as if their voice had a totally different tone, they often set up a dolorous, hideous moan, which at one time resembles the roar of the lion, and at another is more like the hoarser voice of other quadrupeds, especially the bull and cow. I have often heard them groan as if they were in the greatest agonies.” In General Doumas' book on the Horse of the Sahara, I have read that the male ostrich (delı̂m), when it is killed, especially if its young ones are near, sends forth a dolorous note, wile the female (remda), on the other hand, does not utter a sound; and so, when the ostrich digs out its nest, one hears a languishing and dolorous tone all day long, and when it has laid its egg, its usual cry is again heard, only about three o'clock in the afternoon.
