In modern times, Herder entertains the same judgment. Elihu's speech, in comparison with the short, majestic, solemn language of the Creator, he calls “the weak rambling speech of a boy.” “Elihu, a young prophet” - he says further on his Geist der Ebr. Poesie, where he expounds the book of Job as a composition - “arrogant, bold, alone wise, draws fine pictures without end or aim; hence no one answers him, and he stands there merely as a shadow.”[1]
Among the latest expositors, Umbreit (Edition 2, 1832) consider's Elihu's appearance as “an uncalled-for stumbling in of a conceited young philosopher into the conflict that is already properly ended; the silent contempt with which one allows him to speak is the merited reward of a babbler.” In later years Umbreit gave up this depreciation of Elihu.[2]
Nevertheless Hahn, in his Comm. zu Iob (1850), has sought anew to prove that Elihu's speeches are meant indeed to furnish a solution, but do not really do so: on the contrary, the poet intentionally represents the character of Elihu as that “of a most conceited and arrogant young man, boastful and officious in his undeniable knowingness.” The unfavourable judgments have been carried still further, inasmuch as an attempt has even been made to regard Elihu as a disguise for Satan in the organism of the drama;[3] but it may be more suitable to break off this unpleasant subject than to continue it.
In fact this dogmatic criticism of Elihu's character and speeches produces a painful impression. For, granted that it might be otherwise, and the poet really had designed to bring forward in these speeches of Elihu respecting God's
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