The so-ciphered three books have, as is known, this in common, that they are (with the exception of the prologue and epilogue in the book of Job) punctuated according to a special system, which has been fully discussed in my Commentary on the Psalms, and in Baer's edition of the Psalter. This accent system, like the prosaic, is constructed on the fundamental law of dichotomy; but it is determined by better organization, more expressive and melodious utterance. Only the so-called prose accents, however, not the metrical or poetic (with the exception of a few detached fragments), have been preserved in transmission. Nevertheless, we are always still able to discern from these accents how the reading in the synagogue divided the thoughts collected into the form of Masoretic verses, into two chief divisions, and within these again into lesser divisions, and connected or separated the single words; while the musical rhythm accommodated itself as much as possible to the logical, so that the accentuation is on this account an important source for ascertaining the traditional exegesis, and contains an abundance of most valuable hints for the interpreter. Tradition, moreover, requires for the three books a verse-like short line stich-manner of writing; and פסוק, versus, meant originally, not the Masoretic verse, but the separate sentence, στίχος, denoted in the accent system by a great distinctive; as e.g., Job 3:3 :
Let the day perish wherein I was born,
And the night, which said, There is a man-child conceived, is a Masoretic verse divided into two parts by Athnach, and therefore, according to the old order, is to be written as two στίχοι.[1]
- ↑ The meaning of this old order, and the aptness of its execution, has been lost in later copyists, because they break off not according to the sense, but only according to the space, as the στίχοι in numbering the lines, e.g., of the Greek orators, are mere lines according to the space (Raumzeile), at least according to Ritschl's view (Die alex. Bibliotheken, 1838, S. 92-136), which, however, has been disputed by Vömel. The old soferish order intends lines according to the sense, and so also the Greek distinction by πέντε στιχηραὶ (στιχήρεις) βίβλοι, i.e., Job, Psalms, Proverbs, Canticles, Ecclesiastes.
