Page:04.BCOT.KD.PoeticalBooks.vol.4.Writings.djvu/50

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TEMPLE MUSIC AND PSALMODY.
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the right and left of the player upon the cymbal (Zelazal) by whom the signal was given, sounded the trumpets at the nine pauses ((Symbol missingHebrew characters)), into which it was divided when sung by the Levites, and the people bowed down and worshipped.[1] The Levites standing upon the suggestus ((Symbol missingHebrew characters)), — i. e. upon a broad staircase consisting of a few steps, which led up from the court of the laity, to that of the priests, — who were both singers and musicians, and consequently played only on strin- ged instruments and instruments of percussion, not wind- instruments, were at least twelve in number, with 9 citherns, 2 harps, and one cymbal: on certain days the flute was added to this number.[2] The usual suggestus on the steps at the side of the altar was changed for another only in a few cases; for it is noticed as something special that the singers had a dif- ferent position at the festival of water-drawing during the Feast of Tabernacles (vid. introduction to Ps. cxx — cxxxiv), and that the flute-players who accompanied the Hallel stood before the altar, (Symbol missingHebrew characters) (Erachin 10 a). The treble was taken

  1. B. Rosh ha-Shana, 31a. Tamid vii. 3, comp. the introduction to Ps. xxiv. xcii and xciv.
  2. According to B. Erachin 10a the following were the customary accompaniments of the daily service: 1) 21 trumpet blasts, to as many as 48; 2) 2 nablas, to6 at most; 2 flutes ((Symbol missingHebrew characters)), to 12 at most. Blowing the flute is called striking the flute, (Symbol missingHebrew characters). On 12 days of the year the flute was played before the altar: on the 14th of Nisan at the slaying of the Passover (at which the Halle! was sung), on the 14th of Ijar at the slaying of the little Passover, on the ist and ith days of the Passover and on the eight days of the Feast of Tabernacles. The mouth-piece ((Symbol missingHebrew characters) according to the explanation of Maimonides) was not of metal but a reed (comp. Arab. anbub, the blade of the reed), because it sounds more melodious. And it was never more than one flute ((Symbol missingHebrew characters), playing a solo), which con- tinted at the end of a strain and closed it, because this produces the finest close ((Symbol missingHebrew characters)). On the 12 days mentioned, the Halle! was sung with flute accompaniment. On other days, the Psalm appointed for the day was accompanied by nablas, cymbals and citherns, This passage of the treatise Erachin also tells who were the flute-players, On the flute-playing atthe fest- ival of water-drawing, vid. my Geschichte der jidischen Poesie 8. 195, In the Temple of Herod, according to Erachin 10 6, there was also an organ. This was however not a water-organ ((Symbol missingHebrew characters), hydraulis), but a wind- organ ((Symbol missingHebrew characters)) with a hundred different tones ((Symbol missingHebrew characters)), whose thunder- like sound, according to Jerome (Opp. ed. Mart. v. 191), was heard ab Je. rusalem usque ad montem Oliveti et amplius, vid. Saalschtitz, Archéol i. 291—284