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their way into the song-book of Israel. The subject of the Psalm is either Solomon (lxx εἰς Σαλωμών) or the Messiah (Targum, “O God, give Thy regulations of right to the King Messiah, למלכּא משׁיחא"). Both are correct. It is Solomon himself to whom the intercession and desires of blessing of this Psalm refer. Solomon, just as David with Psa 20:1-9 and Psa 20:1, put it into the heart and mouth of the people, probably very soon after his accession, it being as it were a church-prayer on behalf of the new, reigning king. But the Psalm is also none the less Messianic, and with perfect right the church has made it the chief Psalm of the festival of Epiphany, which has received its name of festum trium regum out of it.
Solomon was in truth a righteous, benign, God-fearing ruler; he established and also extended the kingdom; he ruled over innumerable people, exalted in wisdom and riches above all the kings of the earth; his time was the most happy, the richest in peace and joy that Israel has ever known. The words of the Psalm were all fulfilled in him, even to the one point of the universal dominion that is wished for him. But the end of his reign was not like the beginning and the middle of it. That fair, that glorious, that pure image of the Messiah which he had represented waxed pale; and with this fading away its development in relation to the history of redemption took a new turn. In the time of David and of Solomon the hope of believers, which was attached to the kingship of David, had not yet fully broken with the present. At that time, with few exceptions, nothing was known of any other Messiah than the Anointed One of God, who was David or Solomon himself. When, however, the kingship in these its two most glorious impersonations had proved itself unable to bring to full realization the idea of the Messiah or of the Anointed One of God, and when the line of kings that followed thoroughly disappointed the hope which clung to the kingship of the present, - a hope which here and there, as in the reign of Hezekiah, blazed up for a moment and then totally died out, and men were driven from the present to look onward into the future, - then, and not until then, did any decided rupture take place between the Messianic hope and the present. The image of the Messiah is now painted on the pure ethereal sky of the future (though of the immediate future) in colours which were furnished by older