with the more lax principle of the Ephraimites, until the rebellion of Jeroboam against Solomon, there runs through the history of Israel a series of acts which reveal a deep reft between Judah and the other tribes, more especially Benjamin and Ephraim. Though, therefore, it were true that a tone hostile to Ephraim is expressed in the Psalm, this would not be any evidence against its old Asaphic origin, since the psalmist rests upon facts, and, without basing the preference of Judah upon merit, he everywhere contemplates the sin of Ephraim, without any Judaean boasting, in a connection with the sin of the whole nation, which involves all in the responsibility. Nor is Psa 78:69 against Asaph the contemporary of David; for Asaph may certainly have seen the building of the Temple of Solomon as it towered upwards to the skies, and Caspari in his Essay on the Holy One of Israel (Luther. Zeitschrift, 1844, 3) has shown that even the divine name קדושׁ ישׂראל does not militate against him. We have seen in connection with Psa 76:1-12 how deeply imbued Isaiah's language is with that of the Psalms of Asaph. It cannot surprise us of Asaph is Isaiah's predecessor in the use of the name “the Holy One of Isreal.” The fact, however, that the writer of the Psalm takes the words and colours of his narration from all five books of the Pentateuch, with the exception of Leviticus, is not opposed to our view of the origin of the Pentateuch, but favourable to it. The author of the Book of Job, with whom in Psa 78:64 he verbally coincides, is regarded by us as younger; and the points of contact with other Psalms inscribed “by David,” “by the sons of Korah,” and “by Asaph,” do not admit of being employed for ascertaining his time, since the poet is by no means an unindependent imitator.
The manner of representation which characterizes the Psalm becomes epical in its extension, but is at the same time concise after the sententious style. The separate historical statements have a gnome-like finish, and a gem-like elegance. The whole falls into two principal parts, vv. 1-37, vv. 38-72; the second part passes over from the God-tempting unthankfulness of the Israel of the desert to that of the Israel of Canaan. Every three strophes form one group.
Psalm 78
Verses 1-11
The poet begins very similarly to the poet of
