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uplifting a sword in his right hand, and looking towards the Rhine. The height of the statue was to be eighty feet from the base to the point of the sword, and was to stand on a circular Gothic temple ninety feet high, and supported by oak trees as columns. The mountain, where it was to be erected, is wild and stern, and overlooks the scene of the battle. It was calculated that the statue would be clearly visible at a distance of sixty miles. The temple is nearly finished, and the statue itself has been cast at the copper works at Lemgo. But there, through want of funds to set it up, it has lain for some years, in disjointed fragments, exposed to the mutilating homage of relic-seeking travellers. The idea of honouring a hero, who belongs to all Germany, is not one which the present rulers of that divided country have any wish to encourage; and the statue may long continue to lie there, and present too true a type of the condition of Germany herself.[1]

Surely this is an occasion in which Englishmen might well prove, by acts as well as words, that we also rank Arminius among our heroes.

I have quoted the noble stanzas of one of our modern English poets on Arminius, and I will conclude this memoir with one of the odes of the

  1. On the subject of this statue I must repeat an acknowledgment of my obligations to my friend Mr. Henry Pearson.