here rendered somewhat more heraldically. The painting (azure, a lion rampant argent) served as an "Ex libris," and bears the inscription "Libe accusacionum mey p. he ..." (The remainder has been cut away. It is reproduced from Warnecke's "German Bookplates," 1890.)
When we come to modern examples of lions, it is evident that the artists of the present day very largely copy lions which are really the creations of, or adaptations from, the work of their predecessors. The lions of the late Mr. Forbes Nixon, as shown in Fig. 277, which were specially drawn by him at my request as typical of his style, are respectively as follows:—
A winged lion passant coward. A lion rampant regardant. A lion rampant queue-fourché. A lion passant crowned. A lion passant. A lion rampant. A lion rampant to the sinister. A lion passant guardant, ducally gorged. A lion statant guardant, ducally crowned. A lion rampant. A lion statant guardant. A lion sejant guardant erect. Lions drawn by Mr. Scruby will be found in Figs. 278 and 279, which are respectively: "Argent, a lion rampant sable," "Sable, a lion passant guardant argent," and "Sable, a lion rampant argent." These again were specially drawn by Mr. Scruby as typical of his style.
The lions of Mr. Eve would seem to be entirely original. Their singularly graceful form and proportions are perhaps best shown by Figs. 280 and 281, which are taken from his book "Decorative Heraldry."
The lions of Mr. Graham Johnston can be appreciated from the examples in Figs. 284-9.
Examples of lions drawn by Miss Helard will be found in Figs. 282, 283.
The various positions which modern heraldry has evolved for the lions, together with the terms of blazon used to describe these positions, are as follows, and the differences can best be appreciated from a series drawn by the same artist, in this case Mr. Graham Johnston:—
Lion rampant.—The animal is here depicted in profile, and erect, resting upon its sinister hind-paw (see Fig. 284).
