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the likelihood of contemporary record. The rebus had never an heraldic status, and it had seldom more than a temporary existence. A fanciful device adopted (we hear of many such instances) for the temporary purpose of a tournament could generally be so classed, but the rebus proper has some device, usually a pictorial rendering of the name of the person for whom it stood. In such a category would be included printers' and masons' marks, but probably the definition of Dr. Johnson of the word rebus, as a word represented by a picture, is as good a definition and description as can be given. The rebus in its nature is a different thing from a badge, and may best be described as a pictorial signature, the most frequent occasion for its use being in architectural surroundings, where it was constantly introduced as a pun upon some name which it was desired to perpetuate. The best-known and perhaps the most typical and characteristic rebus is that of Islip, the builder of part of Westminster Abbey. Here the pictured punning representation of his name had nothing to do with his armorial bearings or personal badge; but the great difficulty, in dealing with both badges and rebuses, is the difficulty of knowing which is which, for very frequently the same or a similar device was used for both purposes. Parker, in his glossary of heraldic terms, gives several typical examples of rebuses which very aptly illustrate their status and meaning. At Lincoln College at Oxford, and on other buildings connected with Thomas Beckynton, Bishop of Bath and Wells, will be found carved the rebus of a beacon issuing from a tun. This is found in conjunction with the letter T for his Christian name, Thomas. Now this design was not his coat of arms, and was not his crest, nor was it his badge. Another rebus which is found at Canterbury shows an ox and the letters N, E, as the rebus of John Oxney. A rebus which indicates Thomas Conyston, Abbot of Cirencester, which can be found in Gloucester Cathedral, is a comb and a tun, and the printer's mark of Richard Grifton, which is a good example of a rebus and its use, was a tree, or graft, growing on a tun. In none of these cases are the designs mentioned on any part of the arms, crest, or badge of the persons mentioned. Rebuses of this character abound on all our ancient buildings, and their use has lately come very prominently into favour in connection with the many allusive bookplates, the design of which originates in some play upon the name. The words "device," "ensign," and "cognisance" have no definite heraldic meaning, and are used impartially to apply to the crest, the badge, and sometimes to the arms upon the shield, so that they may be eliminated from consideration. There remains therefore the crest and the badge between which to draw a definite line of distinction. The real difference lay in the method of use, though there is usually a difference of form,