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Rijksdienst voor het Cultureel Erfgoed (873,452 assets) and the Rijksmuseum (705,542 assets).

Norway – 40 instances; 1,005,494 assets. The DigitaltMuseum, which aggregates collections of Sweden and Norway (funded by Arts Council Norway), accounts for 59.0% (or 23) of instances and 46.7% (or 469,673 assets) of the total volume for Norway. Another eight instances (or 20.5%) publish 132,640 assets (or 13.2% of the total volume for Norway) via Europeana. The Vitenskapsmuseet contributes the largest volume, publishing 295,465 open compliant assets (or 29.4% of the total volume for Norway) via its own website.

Switzerland – 34 instances; 674,299 assets. Wikimedia Commons accounts for 17 (or 50%) instances contributing 69,887 assets (or 10.4% of the total volume in Switzerland), primarily published via CC BY-SA. The largest contributor is the Bildarchiv der ETH-Bibliothek, ETH Zürich, publishing 489,161 public domain compliant assets via the own website (or 72.5% of the total volume in Switzerland). No assets are published via Europeana. In June 2019, Switzerland passed a law protecting non-original photographs, like a photographic reproduction of a public domain painting, via a neighbouring right.

Greater detail is provided in Appendix 3: Top 10 countries with open GLAM participation. The Open GLAM Survey provides a full list of all global instances, which can be sorted by country.

A Culture of Copyright
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