These include
- Ashmolean Museum
- Bradford Museums & Galleries
- British Film Institute
- British Library
- British Museum
- Courtauld
- East Riding Archives
- Egypt Centre
- Glasgow Museums
- Government Art Collection
- Guernsey Museums and Galleries
- Heritage Collections UK Parliament
- Highland Council Archive
- Historic England (Historic Buildings and Monuments Commission for England)
- Historic Environment Scotland
- Historic Royal Palaces
- Jewish Museum London
- Kirklees Museums and Galleries
- London Transport Museum
- Manchester Art Gallery
- Manchester Museum
- Mary Rose Trust
- Museum of Classical Archaeology
- Museum of Liverpool
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- Museum of London
- National Archive
- National Army Museum
- National Galleries of Scotland
- National Gallery
- National Jazz Archive
- National Museum Wales
- National Museums Liverpool
- National Museums Northern Ireland
- National Portrait Gallery
- National Trust
- Northampton Museums
- Natural History Museum
- Parliamentary Archives
- Pitt Rivers Museum
- Royal Academy of Art
- Royal Armouries
- Royal Botanic Gardens, Edinburgh
- Royal Botanic Gardens, Kew
- Royal Museums Greenwich
- Science Museum Group
- Tate
- Victoria & Albert Museum
- Wallace Collection
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Many post fee-models to the website or provide fee calculators for users, including for fair dealing uses permitted by UK copyright law.[1]
There is wide use of watermarks on images made available through these commercial image libraries and external licensing platforms. These instances are not included in the data on technical protection measures, as they obstruct images on platforms that operate separately from the website and/or primary digital collections interface.
At least 56 GLAMs from the UK GLAM sample licence at least 123,912 assets via Bridgeman Images. Google Art & Culture hosts another 92,337 from 40 UK GLAMs.
Such commercial relationship raise questions around how the value of these partnerships is assessed, whether copyright and/or exclusivity is even necessary for these relationships, and what success looks like.
3.4. Early stages of open GLAM
The data shows open GLAM is in early stages, although some countries and/or their national institutions take more consistent approaches.
