Gomez, A. C., i. 609a; iv. 651b.
Gompertz; Royal Coll. of Mus., iv. 159a; Violin-playing, iv. 298a.
Gondellied; Barcarole, i. 138b.
Gong, i. 609b; Gossec, i. 611b; Instrument, ii. 7a; Partial tones, ii. 654b; Tam-Tam, iv. 56b; Tone, iv. 142a.
Goni, A. P.; Hist. of Mus., iv. 676a, etc.
Gontershausen. (See Welcker v. Gontershausen, iv. 434b.
Goodban, C., i. 609b.
Goodban, H., i. 609b.
Goodban, J., i. 609b.
Goodban, T., i. 609b.
Goodban, W., i. 609b.
Goodgroome, J., i. 609b.
Goodgroome, J., i. 610a.
Goodgroome, W., i. 610a.
Goodman; Pittman (J.), ii. 759a.
Goodson, R., i. 610a.
Goodson, R., i. 610a.
Gootière; Lute, ii. 177b.
Goovaerts, A. J. M. A., iv. 651b; Hist. of Mus., iv. 676b; Verdonck, iv. 811a.
Gordigiani; Mallinger. iv. 708b.
Gordigiani, L., i. 610a; iv. 652a; Singing, iii. 515a; Song, iii. 590b.
Gordon, J., i. 610a; Gresham Mus. Professorship, i. 627b.
Gordon, W., i. 610b; Boehm (T.), i. 254b; Flute, i. 536b.
Gorgheggio. (See Solfeggio, iii. 546a.)
Goria, A. E.; PF. Mus., ii. 733b; PF.-playing, ii. 743a.
Goss, J. J., i. 610b.
Goss, Sir J., i. 610b; iv. 652a;
Anthem, i. 73a;
Chapels Royal, i. 339a;
Concentores Sodales, i. 383b;
Cowen, i. 413a;
Hymn, i. 764a;
Mus. Soc. of Lond., ii. 431b;
Schools of Comp., iii. 310a;
Soc. of B. Musicians, iii. 544a;
Sullivan, iii. 761b;
Thoroughbass, iv. 108b;
Vocal Soc., iv. 320b;
Bridge (J. F.), iv. 564b.
Gosse. (See Junckers.)
Gossec, F. J., i. 611a; iv. 652a;
Academie de Mus., i. 8b;
Boccherini, i. 251a;
Cambini, i. 300a;
Catel, i. 323a;
Chélard, i. 341a;
Concert Spirituel, i. 385a;
Conservatoire de Mus., i. 391b;
Horn, i. 748b;
Latrobe, ii. 103a;
Lesueur, ii. 125a;
Maîtrise, ii. 200a;
Marseillaise, ii. 20a;
Mozart, ii. 386a;
Panseron, ii. 645a;
Solfeggio, iii. 549a;
Song, iii. 595a;
Symphony, iv. 23a;
Wind-band, iv. 473a;
Requiem, iv. 770b.
Gostena, della; Mus. Lib., iv. 726a.
Gostling, Rev. J., iv. 652a; Bass, i. 148a; Purcell (T.), iii. 47a.
Gosuino, A.; Lassus, ii. 96a.
Goudimel, C., i. 612a;
Animuccia, i. 68b;
Chorale, i. 351b;
Hymn, i. 761b;
Jannequin, ii. 31b;
Josquin Després, ii. 40b;
Le Jeune, ii. 119b;
Magnificat, ii. 196a;
Mass, ii. 228b;
Mel (R. del), ii. 248a;
Missa Brevis, ii. 338a;
Mus. Lib., ii. 423b;
Nanini (G. M.), ii. 443b;
Palestrina, ii. 635b, etc.;
Schools of Comp., iii. 264a, etc.;
Song, iii. 592b;
Tylman Susato, iv. 197b;
Alfieri (Abbate), iv. 520b;
Bourgeois (L.), iv. 558a;
Burney, iv. 571a;
Chorale, iv. 588b;
Old Hundredth Tune, iv. 734b;
Psalter, iv. 758a;
Rome, iv. 773b;
Trésor Mus., iv. 802a.
Gouffé, A.; Onslow, ii. 497b; Clé du Caveau, iv. 593b.
Goulding & Dalmaine, i. 612b.
Gould, N. D.; Hist. of Mus., iv. 674b.
Gounod, C. F., i. 613a; iv. 653b;
Arrangement, i. 93b;
Ballet, i. 132b;
Cecilia, St., i. 329b;
Colombe, La, i. 378a;
Faust, i. 508b;
Gallia, i. 578a;
Gr. Prix de Rome, i. 618b;
Halévy, i. 645b;
Kyrie, ii. 78b;
Lesueur, ii. 125b;
Libretto, ii. 129a;
Mass, ii. 235a;
Médecin Malgré Lui, ii. 245a;
Mireille, ii. 335b;
Mock Doctor, The, ii. 339b;
Nantier-Didiée, ii. 444b;
Nonne Sanglante, ii. 465a;
Opera, ii. 525b;
Orphéon, ii. 612a;
Pedal point, ii. 680b;
Philemon et Baucis, ii. 698a;
Philh. Soc., ii. 698b;
Polyeucte, iii. 12a;
Programme Mus., iii. 40a;
Reine de Saba, iii. 102a;
Romeo and Juliet, iii. 154a;
Sapho, iii. 226b;
Schools of Comp., iii. 301a, etc.;
Song, iii. 597a;
Sordini, iii. 638a;
Soria, iii. 638b;
Tribut de Zamora, iv. 169a;
Weldon (G.), iv. 435a;
Zimmermann (P. J. G.), iv. 508a;
Cinq Mars, iv. 591b;
Dies Iræ, iv. 614a;
Farandole, iv. 633a;
Humorous Mus., iv. 683a;
Pedalier, iv. 745a.
Goupillet; Lalande (M. R. de), iv. 695a.
Goulé; Song, iii. 595a.
Gouvy, T., i. 614b; PF. Mus., 733b; Song, iii. 597a.
Gouy. (See De Gouy.)
Gouzier, A.; Mus. Periodicals, ii. 429b.
Gow, Nath., i. 615a; iv. 653b.
Gow, Niel, i. 615a; iv. 653b and 819b; Strathspey, iii. 735b.
Gow, Niel, i. 615a; iv. 653b; Scotish Mus., iii. 444a.
Grabowski; Song, iv. 795a.
Grabu, L., iv. 653b; Banister, i. 134b; King's Band, ii. 58a; Symphony, iv. 11b; Dorset Garden Theatre, iv. 618a.
Grace Notes, i. 615a;
Acciaccatura, i. 18b;
Agrémens, i. 43a;
Appoggiatura, i. 75a;
Arpeggio, i. 87a;
Bach (C. P. E.), i. 114a;
Beat, i. 158a;
Cavalieri, i. 327b;
Fontana, i. 528b;
Harmony, i. 678b;
Mordent, ii. 362b;
Nachschlag, ii. 440b;
Notation, ii. 477a;
Nuances, ii. 484a;
Passaggio, ii. 662a;
Shake, iii. 479b;
Slide, iii. 534b;
Tartini, iv. 62b;
Trésor des Pianistes, iv. 168a;
Turn, iv. 191b;
Vorschlag, iv. 339a.
Gradual, i. 615a; Gregorian Modes, i. 627a; Mass, ii. 232a; Plain Song, ii. 764b, etc.
Gradual, the Roman, i. 615b;
Improperia, ii. 1a;
Intonation, ii. 12b;
Introit, ii. 15b;
Lamentations, ii. 86b;
Palestrina, ii. 639b;
Plain Song, ii. 766b, etc.;
Requiem, iii. 109a.
Gradus ad Parnassum, i. 616a;