leaves. The final scrubbing was done with an ivory-backed hair-brush out of my dressing-bag; and I well remember the fire of chaff I was subjected to on my return home, when the wreck of that hair-brush was pounced upon by an old servant, who wanted to know "what Mr. Alfred could have been doing with his hair whilst he was in foreign parts!"
We slept only one night in the forest, and I cannot give a better instance of the denseness of the vegetation than by saying that I cleared a space for my camp cot on the south side of the monument marked A in the plan; yet it was only by chance that late in the following afternoon I became aware of the existence of the splendid Altar (marked B) within twelve yards of my sleeping-place. It was the unexpected magnificence of the monuments which that day came into view that led me to devote so many years to securing copies of them, which, preserved in the museums of Europe and America, are likely to survive the originals. In 1882 I spent a fortnight amongst the ruins and cleared enough of the forest to enable me to take a good set of photographs of the monuments, and returned again in 1883, accompanied by Mr. Giuntini, Mr. Charles Blockley, and the Lopez brothers, more thoroughly equipped for the work of exploration, and remained camped in the ruins for over three months. The following extract from a paper read before the Royal Geographical Society gives an account of the expedition:—
The ruins, which are completely hidden in a thick tropical forest, stand about, three-quarters of a mile from the left bank of the river Motagua, and about five miles from the miserable little village of Quirigua, from which they take their name. They consist of numerous square or oblong mounds and terraces, varying from six to forty feet in height, some standing by themselves, others clustered in irregular groups. Most of these mounds were faced with worked stone, and were ascended by flights of stone steps.
The interest centres in the thirteen large carved monoliths which are arranged irregularly round what were probably the most important plazas. Six of these monuments are tall stones measuring three to five feet square, and standing 14 to 20 feet out of the ground; the other five are oblong or rounded blocks of stone shaped so as to represent huge turtles or armadilloes or some such animals. All these monuments are covered with elaborate carving; usually on both back and front of the tall monoliths there is carved a huge human figure standing full-face, and in a stiff and conventional attitude. The sides of the monuments are covered with tables of hieroglyphs, most of them in fairly good preservation. In addition to these tables of hieroglyphs there are series of squares or cartouches of what appears to be actual picture-writing, each division measuring about 18 inches square, and containing usually two or three grotesque figures of men and animals. The design of these picture-writings shows considerable variety and freedom of treatment as compared with that of the large-sized human figures, in the execution of which the artist seems to have been bound by conventional rules.
The largest of the stone animals is perhaps the most remarkable of all the monuments; its measurement is roughly a cube of eight feet, it must weigh nearly twenty tons, and it rests on three large slabs of stone. It is shaped like a turtle, and
