"Don't think you're remarkable or different," she told Naomi. "You're just like any other woman."
It was Aunt Mabelle who led Naomi into the routine of matrimony as a tried and experienced working elephant leads another, freshly captured, into the routine of piling teak logs and pushing carts. She made it all seem the most natural thing in the world.
But it was only after a week of hiding and of sudden outbursts of tears that Naomi returned to Philip—a new and uncomplaining Naomi curiously broken and acquiescent. Aunt Mabelle noticed the difference with the little round blue eyes that seemed too stupid and sleepy to notice anything; she saw that something very odd had happened to Naomi: nothing that was very odd in her (Mabelle's) experience in such cases, but odd only because it had happened to Naomi. It was as if she had found suddenly some reason for existence in a world where before she had no place, as if she enjoyed this newly discovered marital relationship.
Emma, too, noticed the difference—that Naomi began to take an interest in her appearance, and even went so far as to buy some ribbons and bits of lace which she sewed awkwardly on her somber woolen dresses. Her anemic cheeks at moments even showed the shadow of color. She went almost briskly to her choir rehearsals and made a feeble attempt at resuming her manufacture of calico mother-hubbards.
It was, thought Emma, working itself out. She was not one to discuss such things, and yet she knew that Naomi had followed her advice. Why, Naomi was almost like a bride. She was certain in the end to gain a hold over Philip, for he was not the sort whose eye wandered: he never looked at another woman. He wasn't
