thick about the waist, and did not hang properly in the back, and it made her look all lumpy in the wrong places. In case Philip did not notice it, Mabelle was to say to him, "You haven't spoken about Naomi's pretty new dress. She made it all herself—with her own hands." They had carefully rehearsed the little plot born of Mabelle's romantic brain.
But when Naomi arrived at the slate-colored house, she took Mabelle quickly into a corner and said, "Don't speak of the dress to him." And when Mabelle asked, "Why not?" she only answered, "You can do it later, but not to-night. I can't explain why just now."
She couldn't explain to Mabelle that she was ashamed of the dress, nor why she was ashamed of it. She couldn't say that as she stood on the stairs of the stable and saw a handsome woman, in a plain black dress, with her knees crossed, and furs thrown back over her fine shoulders, that the pride of the poor little foulard dress had turned to ashes. She couldn't explain how she had become suddenly sick at the understanding that she must seem dowdy and ridiculous, standing there, all red and hot and disheveled, staring at them, and wanting all the time to turn and run, anywhere, on and on, without stopping. She couldn't explain how the sight of the other woman had made the foulard dress seem poor and frowzy, even when she put on the coral beads left her by her mother, and pinned on the little gold fleur-de-lys watch her father had given her.
When she first arrived, she kept on her coat, pretending that the house was cold, but Emma said, "It's nonsense, Naomi. The house is warm enough," and the irrepressible Mabelle echoed, "That's what I say,
