Λίνου ('Woe for Linos'), and made his imaginary Linos into an unhappy poet or a murdered prince. Homer's ancestors, when they are not gods and rivers, tend to bear names like 'Memory-son ' and 'Sweet-deviser'; his minor connections—the figures among whom the lesser epics were apt to be divided—have names which are sometimes transparent, sometimes utterly obscure, but which generally agree in not being Greek names of any normal type. The name of his son-in-law, 'Creophŷlus,' suggests a comic reference to the 'Fleshpot-tribe' of bards with their 'perquisites.' A poet who is much quoted for the saga-subjects painted on the 'Leschê' or 'Conversation Hall' at Delphi, is called variously 'Leschês,' 'Lescheôs,' and 'Leschaios'; another who sang of sea-faring, has a name 'Arctinos,' derived, as no other Greek name is, from the Pole-star. The author of the Têlegoncia,* which ended the Odysseus-saga in a burst of happy marriages (see p. 48), is suitably named 'Eugamon' or 'Eugammon.[1]
As for 'Homêros' himself, the word means 'hostage': it cannot be a full Greek name, though it might be an abbreviated 'pet name,' e.g. for 'Homêrodochos' ('hostage-taker'), if there were any Greek names at all compounded from this word. As it is, the fact we must start from is the existence of 'Homêridæ,' both as minstrels in general and as a clan. 'Homêros' must by all analogy be a primeval ancestor, invented to give them a family unity, as 'Dôros,' ' Iôn,' and 'Hellên' were invented; as even the League of the 'Amphictyones' or ' Dwellers-round [Thermopylae]' had to provide themselves with a common ancestor called 'Amphictyôn' or ' Dweller- round.' That explains
- ↑ Crusius, Philol. liv.
