Page:A History of Art in Ancient Egypt Vol 1.djvu/279

The Tomb under the Ancient Empire. 189 the fourth and fifth dynasties. We shall not dwell long upon these rock-cut tombs. They are generally composed of one or two small sculptured chambers, upon one of which the well opens which leads to the mummy chamber. We shall postpone their study to a later chapter, as the time of the Middle Empire affords us richer and more complete examples of them than the earlier period; but, indeed, the New Empire has left us the most important examples of this kind of sepulchre. We shall here content ourselves with pointing out that the architects of Mem- phis did not ignore the facilities offered by the easily cut limestone rocks, not only for construction of well and mummy chamber, but also for those open parts of the tomb where the funeral rites and the ceremonies of the Ritual of the Dead were performed. In the whole course of her long vitality Egypt did little more, either in art or religion, than develop, with variations, the themes presented to her by the generations which were ruled by her first six dynasties. THE PYRAMIDS. The mastaba was the private tomb of the great lord or rich citizen of primitive Egypt ; the pyramid was the royal tomb for the same epoch, the tomb of that son of the gods, almost a god himself, before whom all foreheads were bowed into the dust. As his head towered over those of his prostrate subjects during life, so, after death, should his sepulchre rise high above the comparatively humble tombs of his proudest servants. The most imposing mastabas, before the sand had buried them to the summit, must have looked small enough beside those prodigious masses. They were ant-hills at the foot of a palace. It may seem that in considering the mastaba before the pyramid we have reversed the natural order. We were led to do so by the fact that the enormous mass of the pyramids and their peculiarities of construction compelled their architects to separate elements which are found closely allied in the mastaba. In consequence of this separation the elements in question have not all had the same fate. In the case of the mastaba all survived or perished together, but, in the pyramids, some are in a marvellous state of preservation, while others have disappeared