Page:A History of Art in Ancient Egypt Vol 1.djvu/39

This page has been proofread, but needs to be validated.
Introduction.
xix

been, ever since its inauguration, an international one in the best sense of the word; it brings together for a common end the most eminent European savants and their best pupils; it finds fellow-labourers and correspondents in every country. With their aid it soon established a Bullettino, where, month by month, all discoveries of interest made at any point of the Mediterranean basin were registered; and volumes, called sometimes Annali, sometimes Memorie, in which really important discoveries, and the problems to which they give rise, were discussed. Some of these dissertations are so elaborate and so full of valuable matter as to have formed epochs in the history of science. They are accompanied by fine plates, which, by their size, permit the reproduction of objects of art on a grander scale, and with more fidelity, than had been previously attempted.[1]

While the Roman Instituto was thus devoting itself to research, and assuring to its members the advantages of a regular publicity, these inquiries were daily attracting a more considerable share of attention from the other learned bodies of Europe. The Académie des Inscriptions et de Belles Lettres, the Academies of Berlin, Munich, and Vienna, devoted an ever-increasing portion of their programmes to such studies. Men began everywhere to understand that the writings of the classic authors, which had been so exhaustively studied ever since the Renaissance, were no longer capable of affording fresh information. In order to learn more of antiquity than the great scholars of the last three centuries, it was necessary to penetrate into the past by paths as yet unexplored; it was necessary to complement and control the evidence of classic authors by that of public and private inscriptions, engraved upon bronze, marble, or stone; it was above all necessary to seek for the expression, in their handiwork, of the wants and ideas, of the personal sentiments and religious conceptions, of the men of antiquity. There are, in fact, nations, such as the Etruscans,

  1. For the history of the Instituto Archeologico, the notice written for the celebration, in 1879, of the fiftieth anniversary of its foundation, may be consulted. It is from the pen of Michaëlis, one of the most learned of modern German archæologists, and bears the following title: Storia dell' Instituto Archeologico Germano, 1829-1879, strenna pubblicata nell' occasione della festa del 21 Aprile, 1879, dalla direzione centrale dell' Instituto Archeologico, 8vo. Roma, 1879. It was also published in German. An article by M. Ernest Vinet in the volume entitled L'Art et l'Archéologie (pp. 74-91, 8vo. Didier, 1874), upon the origin and labours of the Instituto, will also be found interesting.