Page:A History of Art in Chaldæa & Assyria Vol 2.djvu/386

34S A History of Art in Chald.ea and Assyria. with bulls in the same attitude. And here we find a curious arrangement of which we can point to no other example : both lions and bulls have their feet turned sometimes to the centre of the shield, sometimes to its outer edge. The general character of the form is well grasped in both cases ; but the design has neither the breadth nor firmness of that upon the cup to which we have already compared this shield (Fig. 217). The armourers were inferior in skill to the gold and silversmiths — we can think of no more appropriate name for them — by whom the metal cups were Fig. 226. — Knife-handle. Bone. Louvre. beaten and chased, although they made use of the same models and motives. No one would attribute a Phoenician origin to these bucklers ; they were found in Armenia and were covered with cuneiform inscriptions. They must have been made either in Assyria, or in a neighbouring country that borrowed all from Assyria, its arts and industries as well as its written characters. The Assyrians attached too much importance to their arms and made too great a consumption of them to be content with import- ing them from a foreign country. When we turn to objects of less importance, such as daggers