yet,' said I, 'I have heard of a man who had his gate, though nothing more, made too large for his personal requirements.' 'Well, to be sure,' said the Daishin, with astonishment, 'you refer, of course, to U Teikoku [a Chinese worthy]. Who would have thought that any one but a venerable pundit knew aught of that? I myself have occasionally strayed into the paths of learning, and fully comprehend your allusion.' 'Indeed, then,' returned I, 'your paths are none of the most sensible. There was a nice disturbance, I can tell you, when we found ourselves entrapped into walking along your matted paths.' 'I fear you must have been incommoded,' he replied. 'And it was raining, too. But I must attend the Empress.' Saying which, he made his exit.
"'What was it put Narimasa out so much?' the Empress inquired of me later. 'Oh, nothing,' I said; 'I was only telling him of our misadventure at his gate.'
Domestic Scene in the Mikado's Palace
"On the sliding doors of the northern front of the Mikado's private apartments there are painted fearful pictures of creatures that live in the wild ocean, some with long arms, others with long legs. When the doors of the ante-chamber are open we can always see them. One day towards noon, while we were laughing and talking about them, saying what hideous things they are, and were engaged in setting great flower-pots of green porcelain[1] by the balustrade of the verandah, and filling them with an abundance of the most delightful
- ↑ Probably of the kind now known to connoisseurs as Seiji.
