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110
A Landscape Painter


spent the day so actively, in the mechanical annihilation of the successive hours, that Gertrude's image found no chance squarely to face him. He was engaged in the work of self-preservation,—the most serious and absorbing work possible to man. Compared to the results here at stake, his passion for Gertrude seemed but a fiction. It is perhaps difficult to give a more lively impression of the vigor of this passion, of its maturity and its strength, than by simply stating that it discreetly held itself in abeyance until Richard had set at rest his doubts of that which lies nearer than all else to the heart of man,—his doubts of the strength of his will. He answered these doubts by subjecting his resolution to a course of such cruel temptations as were likely either to shiver it to a myriad of pieces, or to season it perfectly to all the possible requirements of life. He took long rides over the country, passing within a stone's throw of as many of the scattered wayside taverns as could be combined in a single circuit. As he drew near them he sometimes slackened his pace, as if he were about to dismount, pulled up his horse, gazed a moment, then, thrusting in his spurs, galloped away again like one pursued. At other times, in the late evening, when the window-panes were aglow with the ruddy light within, he would walk slowly by, looking at the stars, and, after maintaining this stoical pace for a couple of miles,