a dear friend in the last stage of consumption, who had died at the hotel in Havana. Although by no means beautiful in person, she was yet thoroughly pleasing, rejoicing in what young ladies are fond of calling an air. That is, she was tall and slender, with a long neck, a low forehead and a handsome nose. Even after six years of "society," too, she still had excellent manners. She was, moreover, mistress of a very pretty little fortune, and was accounted clever without detriment to her amiability, and amiable without detriment to her wit. These facts, as the reader will allow, might have ensured her the very best prospects; but he has seen that she had found herself willing to forfeit her prospects and bury herself in the country. It seemed to her that she had seen enough of the world and of human nature, and that a couple of years of seclusion might not be unprofitable. She had begun to suspect that for a girl of her age she was unduly old and wise—and, what is more, to suspect that others suspected as much. A great observer of life and manners, so far as her opportunities went, she conceived that it behooved her to organize the results of her observation into principles of conduct and of belief. She was becoming—so she argued—too impersonal, too critical, too intelligent, too contemplative, too just. A woman had no business to be so just. The society of nature, of the great expansive skies and the
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A Landscape Painter
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