early childhood, when, through some domestic catastrophe, she had for an infinite morning been left to her own devices. What should she do? she asked herself, half laughing. It was a fair day for work: but it was a still better one for play. Should she drive into town and pay a long-standing debt of morning calls? Should she go into the kitchen and try her hand at a pudding for dinner? She felt a delicious longing to do something illicit, to play with fire, to discover some Bluebeard's closet. But poor Herbert was no Bluebeard. If she were to burn down his house he would exact no amends. Adela went out to the veranda, and, sitting down on the steps, gazed across the country. It was apparently the last day of Summer. The sky was faintly blue; the woody hills were putting on the morbid colors of Autumn; the great pine grove behind the house seemed to have caught and imprisoned the protesting breezes. Looking down the road toward the village, it occurred to Adela that she might have a visit, and so kindly was her mood that she felt herself competent to a chat with one of her rustic neighbors. As the sun rose higher, she went in and established herself with a piece of embroidery in a deep, bow window in the second story, which, betwixt its muslin curtains and its external frame-work of vines, commanded most insidiously the principal approach to the house. While she
Page:A Landscape Painter (1919).djvu/191
This page has been validated.
A Day of Days
181
![](http://upload.wikimedia.org/wikipedia/commons/thumb/c/c0/A_Landscape_Painter_%281919%29.djvu/page191-1024px-A_Landscape_Painter_%281919%29.djvu.jpg)