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A Landscape Painter


"That's the end," said Adela.

"But you don't want the history of my babyhood, I take it. I imagine that I was a very big, noisy and ugly baby: what's called a 'splendid infant.' My parents were poor, and, of course, honest. They belonged to a very different set—or 'sphere', I suppose you call it—from any you probably know. They were working people. My father was a chemist in a small way, and I fancy my mother was not above using her hands to turn a penny. But although I don't remember her, I am sure she was a good, sound woman; I feel her occasionally in my own sinews. I myself have been at work all my life, and a very good worker I am, let me tell you. I'm not patient, as I imagine your brother to be—although I have more patience than you might suppose—but I'm plucky. If you think I'm over-egotistical, remember 'twas you began it. I don't know whether I'm clever, and I don't much care; that word is used only by unpractical people. But I'm clear-headed, and inquisitive, and enthusiastic. That's as far as I can describe myself. I don't know anything about my character. I simply suspect I'm a pretty good fellow. I don't know whether I'm grave or gay, lively or severe. I don't know whether I'm high-tempered or low-tempered. I don't believe I'm 'high-toned.' I fancy I'm good-natured enough, inasmuch as I'm not nervous. I should not be at all