A MOTOR-FLIGHT THROUGH FRANCE
round openings the impatient stirrings of the pointed arch, so here at Saint Leu, where the latter form at last triumphs, its soaring movement is still held down by the close-knit Romanesque frame of the church. It is hard to define the cause of this impression, since at Saint Leu the pointed style has quite freed itself, structurally, from Romanesque entraves, all the chief elements of later Gothic construction being blent there in so harmonious a composition that, as Mr. Charles Moore has pointed out, the church might stand for a perfect example of "unadorned Gothic." All that later art could do toward the elaboration of such a style was to add ornament, enlarge openings, and lighten the masses. But by the doing of just that, the immense static value of the earlier proportions was lost—and the distinction of Saint Leu is that it blends, in perfect measure, Gothic lightness with Romanesque tenacity.
Of this the inside of the church is no less illustrative than its exterior. Though the western bays of the nave were built later than its eastern portion, they end in a narthex on the lines of the outer porch of Vézelay, surmounted by a
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