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THE LAST OF THE VALERII.

that the workmen should be treated to a cask of wine, in honor of their discovery. It was now brought and opened on the spot, and the little explorer, having drawn the first glass, stepped forward, hat in hand, and obsequiously presented it to the Countess. She only moistened her lips with it and passed it to her husband. He raised it mechanically to his own; then suddenly he stopped, held it a moment aloft, and poured it out slowly and solemnly at the feet of the Juno.

"Why, it's a libation!" I cried. He made no answer, and walked slowly away.

There was no more work done that day. The laborers lay on the grass, gazing with the native Roman relish of a fine piece of sculpture, but wasting no wine in pagan ceremonies. In the evening the Count paid the Juno another visit, and gave orders that on the morrow she should be transferred to the Casino. The Casino was a deserted garden-house, built in not ungraceful imitation of an Ionic temple, in which Camillo's ancestors must often have assembled to drink cool syrups from Venetian glasses, and listen to learned madrigals. It contained several dusty fragments of antique sculpture, and it was spacious enough to enclose that richer collection of which I began fondly to regard the Juno as but the nucleus. Here, with short delay, this fine creature was placed, serenely upright,