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THE LAST OF THE VALERII.

which fastened it round my neck, and had hooked it provisionally upon a twig of a flowering-almond tree within arm's reach. Shortly afterwards I had gathered up my things and retired, unmindful of the glass; and now, as I needed it to read the evening paper at the Caffè Greco, there was no alternative but to retrace my steps and detach it from its twig. I easily found it, and lingered awhile to note the curious night-aspect of the spot I had been studying by daylight. The night was magnificent, and full-charged with the breath of the early Roman spring. The moon was rising fast and flinging her silver checkers into the heavy masses of shadow. Watching her at play, I strolled farther and suddenly came in sight of the Casino.

Just then the moon, which for a moment had been concealed, touched with a white ray a small marble figure which adorned the pediment of this rather factitious little structure. Its sudden illumination suggested that a rarer spectacle was at hand, and that the same influence must be vastly becoming to the imprisoned Juno. The door of the Casino was, as usual, locked, but the moonlight was flooding the high-placed windows so generously that my curiosity became obstinate and inventive. I dragged a garden-seat round from the portico, placed it on end, and succeeded in climbing to the top of it and bringing myself abreast of one of the windows. The casement yielded to my