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THE MADONNA OF THE FUTURE.
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an artist may still be an artist. As I said last night, the days of illumination are gone; visions are rare; we have to look long to see them. But in meditation we may still woo the ideal; round it, smooth it, perfect it. The result—the result" (here his voice faltered suddenly, and he fixed his eyes for a moment on the picture; when they met my own again they were full of tears)—"the result may be less than this; but still it may be good, it may be great!" he cried with vehemence. "It may hang somewhere, in after years, in goodly company, and keep the artist's memory warm. Think of being known to mankind after some such fashion as this! of hanging here through the slow centuries in the gaze of an altered world, living on and on in the cunning of an eye and hand that are part of the dust of ages, a delight and a law to remote generations; making beauty a force and purity an example!"

"Heaven forbid!" I said, smiling, "that I should take the wind out of your sails; but does n't it occur to you that beside being strong in his genius, Raphael was happy in a certain good faith of which we have lost the trick? There are people, I know, who deny that his spotless Madonnas are anything more than pretty blondes of that period, enhanced by the Raphaelesque touch, which they declare is a profane touch. Be that as it may, people's religious and æsthetic needs went hand in hand, and there was, as I