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me gently by the arm, and led me before the row of statuettes. "I perceive by your conversation, signore, that you are a patron of the arts. Allow me to request your honorable attention for these modest products of my own ingenuity. They are brand-new, fresh from my atelier, and have never been exhibited in public. I have brought them here to receive the verdict of this dear lady, who is a good critic, for all she may pretend to the contrary. I am the inventor of this peculiar style of statuette,—of subject, manner, material, everything. Touch them, I pray you; handle them; you need n't fear. Delicate as they look, it is impossible they should break! My various creations have met with great success. They are especially admired by Americans. I have sent them all over Europe,—to London, Paris, Vienna! You may have observed some little specimens in Paris, on the Boulevard, in a shop of which they constitute the specialty. There is always a crowd about the window. They form a very pleasing ornament for the mantel-shelf of a gay young bachelor, for the boudoir of a pretty woman. You could n't make a prettier present to a person with whom you wished to exchange a harmless joke. It is not classic art, signore, of course; but, between ourselves, is n't classic art sometimes rather a bore? Caricature, burlesque, la charge, as the French say, has hitherto been confined to paper, to the pen and