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MADAME DE MAUVES.
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Longmore turned away with the feeling that women were indeed a measureless mystery, and that it was hard to say whether there was greater beauty in their strength or in their weakness. He walked back to Saint-Germain, more slowly than he had come, with less philosophic resignation to any event, and more of the urgent egotism of the passion which philosophers call the supremely selfish one. Every now and then the episode of the happy young painter and the charming woman who had given up a great many things for him rose vividly in his mind, and seemed to mock his moral unrest like some obtrusive vision of unattainable bliss.

The landlady's gossip cast no shadow on its brightness; her voice seemed that of the vulgar chorus of the uninitiated, which stands always ready with its gross prose rendering of the inspired passages in human action. Was it possible a man could take that from a woman,—take all that lent lightness to that other woman's footstep and intensity to her glance,—and not give her the absolute certainty of a devotion as unalterable as the process of the sun? Was it possible that such a rapturous union had the seeds of trouble,—that the charm of such a perfect accord could be broken by anything but death? Longmore felt an immense desire to cry out a thousand times "No!" for it seemed to him at last that he was somehow spiritually the same as the