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A PASSIONATE PILGRIM.
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ized with ages of use and touches of beneficent affection, it seemed to offer to our grateful eyes a small, rude synthesis of the great English social order. Passing out upon the high-road, we came to the common browsing-patch, the "village green" of the tales of our youth. Nothing was wanting; the shaggy, mouse-colored donkey, nosing the turf with his mild and huge proboscis, the geese, the old woman,—the old woman, in person, with her red cloak and her black bonnet, frilled about the face and double-frilled beside her decent, placid cheeks,—the towering ploughman with his white smock-frock, puckered on chest and back, his short corduroys, his mighty calves, his big, red, rural face. We greeted these things as children greet the loved pictures in a story-book, lost and mourned and found again. It was marvellous how well we knew them. Beside the road we saw a ploughboy straddle, whistling, on a stile. Gainsborough might have painted him. Beyond the stile, across the level velvet of a meadow, a footpath lay, like a thread of darker woof. We followed it from field to field and from stile to stile. It was the way to church. At the church we finally arrived, lost in its rook-haunted churchyard, hidden from the workday world by the broad stillness of pastures,—a gray, gray tower, a huge black yew, a cluster of village graves, with crooked headstones, in grassy, low relief.