the middle of it; and there, spreading out his hands, as if he were addressing some person whom it behoved him to treat with great ceremony, to tell to himself, in an audible, uniform voice, all the secret thoughts of his own heart. When he has done this, he will think, and he will think rightly, that he has done enough.
The only valuable part of acting that will then remain to us, will be expression of gesture, grace, and dignity, supposing that these also shall not become affected by being too much attended to and studied.
It may be urged against such apprehensions, that, though the theatres of the metropolis should be large, they will be supplied with actors who have been trained to the stage in small country theatres. An actor of ambition (and all actors of genius are such) will practise with little heart in the country what he knows will be of no use to him on a London stage; not to mention that the style of acting in London will naturally be the fashionable and prevailing style elsewhere. Acting will become a less respectable profession than it has continued to be from the days of Garrick; and the few actors who add to the natural advantages requisite to it, the accomplishments of a scholar and a gentleman, will soon be wed away by the hand of time, leaving nothing of the same species behind them to spring from a neglected and sapless root.
