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MOLL RETURNS, MUCH CHANGED.
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a subject on which she would dare to speak without deliberation, and she must check her old habit of singing and be silent, lest she fall by hazard to humming some known tune. Truly, under such continuous strain (which none but such a trained actress could maintain for a single day) her spirit must have wearied. And if this part was hard to play in public, where we are all, I take it, actors of some sort and on the alert to sustain the character we would have our own, how much more difficult must it be in private when we drop our disguise and lay our hearts open to those we love! And here, as it seemed to me, I did hit rightly at the true cause of her present secret distress; for at home as abroad she must still be acting a part, weighing her words, guarding her acts—for ever to be hiding of something from her dearest friend—ever denying him that confidence he appealed for—ever keeping a cruel, biting bond upon the most generous impulse of her heart, closing that heart when it was bursting to open to her dear mate.

Soon after their return Mr. Godwin set to work painting the head of a Sybil, which the Lord of Hatfield House had commanded, on the recommendation of Sir Peter Lely, taking Anne Fitch for his model, and she sitting in that room of the Court house he had prepared for his workshop. Here he would be at it every day, as long as there was light for his purpose, Moll, near at hand, watching him, ready to chat or hold her peace, according to his inclination—just as she had done when he was a-painting of the ceiling, only that now her regard was more intent upon him than his work, and when he turned to look at her, 'twas with interchange of undisguised love in their fond eyes. She ever had a piece of work or a book in her lap, but she