A SON AT THE FRONT
"It was you who saw Benny last—you can't leave me!" the poor man implored; and Campton followed him up the majestic stairway.
Their names were taken in to Mr. Brant, and with a motion of wonder at the unaccountable humours of fate, Campton found himself for the first time entering the banker's private office.
Mr. Brant was elsewhere in the great glazed labyrinth, and while the visitors waited, the painter's registering eye took in the details of the room, from the Barye cire-perdue on a peach-coloured marble mantel to the blue morocco armchairs about a giant writing-table. On the table was an electric lamp in a celadon vase, and just the right number of neatly folded papers lay under a paper-weight of Chinese crystal. The room was as tidy as an expensive stage-setting or the cage of a well-kept canary: the only object marring its order was a telegram lying open on the desk.
Mr. Brant, grey and glossy, slipped in on noiseless patent leather. He shook hands with Mr. Mayhew, bowed stiffly but deprecatingly to Campton, gave his usual cough, and said: "This is terrible."
And suddenly, as the three men sat there, so impressive and important and powerless, with that fatal telegram marring the tidiness of the desk, Campton murmured to himself: "If this thing were to happen to me I couldn't bear it. . . I simply couldn't bear it. . ."
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