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A STUDY OF FAIRY TALES

compassion. It stimulates curiosity. Its laughter is impersonal and has a social and spiritual effect. It acts like fresh air, it clarifies the atmosphere of the mind and it enables one to see things in a sharply defined light. It reveals character; it breaks up a situation, reconstructs it, and so views life, interprets it. It plays with life, it frees the spirit, and it invigorates the soul.

Speaking of humor, Thackeray, in "A Grumble About Christmas Books," 1847, considered that the motto for humor should be the same as the talisman worn by the Prioress in Chaucer:—

About hire arm a broche of gold ful shene,
On which was first ywritten a crowned A,
And after, Amor vincit omnia.

He continued: "The works of the real humorist always have this sacred press-mark, I think. Try Shakespeare, first of all, Cervantes, Addison, poor Dick Steele, and dear Harry Fielding, the tender and delightful Jean Paul, Sterne, and Scott,—and Love is the humorist's best characteristic and gives that charming ring to their laughter in which all the good-natured world joins in chorus."

The humorous element for children appears in the repetition of phrases such as we find in Three Bears, Three Pigs, and Three Billy-Goats; in the contrast in the change of voice so noticeable also in these three tales; in the contrast of ideas so conspicuous in Kipling's Elephant's Child; and in the element of surprise