A modern tale that is a bit of pure imagination and seems an attempt to follow Grimm and Andersen, is A Quick-Running Squash, in Aspinwall's Short Stories for Short People. It uses the little boy's interest in a garden—his garden.—Interest centers about the fairy, the magic seed, the wonderful ride, and the happy ending. It uses the simple, everyday life and puts into it the unusual and the wonderful where nothing is impossible. It blends the realistic and the romantic in a way that is most pleasing. The Rich Goose, by Leora Robinson, in the Outlook, is an accumulative tale with an interesting ending and surprise. Why the Morning Glory Climbs, by Elizabeth McCracken, in Miss Bryant's How to Tell Stories, is a simple fanciful tale. The Discontented Pendulum, by Jane Taylor, in Poulssen's In the Child's World, is a good illustration of the modern purely fanciful tale. What Bunch and Joker saw in the Moon, in Wide-Awake Chatterbox, about 1887, is a most delightful modern fanciful tale, although it is best suited to the child of nine or ten. Greencap, by Ruth Hays, in St. Nicholas, June, 1915, appeals to the child through the experience of Sarah Jane, whose Mother and Father traveled to India. Sarah went to live with Aunt Jane and there met Greencap who granted the proverbial "three wishes." Alice in Wonderland ranks in a class by itself among modern fanciful tales but it is better suited to the child of the third and fourth grades.
A modern fairy tale which is suited to the child's
