Page:A Study of Fairy Tales.djvu/316

		l.	The imaginative				23
		m.	Animals				24
		n.	A portrayal of human relations, especially with children				24
		o.	The diminutive				25
		p.	Rhythm and repetition				26
		q.	The simple and sincere				28
		r.	Unity of effect				29
	2.	Fairy tales must follow the law of the emotions and avoid elements opposed to the interests of the very young child					30
		a.	The tale of the witch				31
		b.	The tale of the dragon				31
		c.	Giant tales				31
		d.	Some tales of transformation				32
		e.	The tale of strange animal relations and strange creatures				33
		f.	Unhappy tales				34
		g.	The tale of capture				34
		h.	The very long tale				35
		i.	The complicated or the insincere tale				36
II.	The fairy tale as literature						37
	1.	The fairy tale must be a true classic					38
	2.	The fairy tale must have mind and soul					39
	3.	The fairy tale must have the distinguishing marks of literature					40
		a.	A power to appeal to the emotions				41
			1)	Literary emotion is not personal			41
			2)	Literary emotion must have justness			41
			3)	Literary emotion must have vividness			41
			4)	Literary emotion must have steadiness			41
			5)	Literary emotion must have variety			41
			6)	Literary emotion must have moral quality			41
			7)	Application of the test of emotion to the fairy tales			41
			8)	The value of fairy tales in the development of emotion			44
		b.	A power to appeal to the imagination				45
			1)	Appeal to the creative imagination			45