simple men and women, free and unsubdued. He has preserved them in their folk-language and in their true Norse setting. Harris (1848–1908) has given his tales in the dialect of Uncle Remus. Jacobs (1854–) has aimed to give the folk-tales in the language of the folk, retaining nurses' expressions, giving a colloquial and romantic tone which often contains what is archaic and crude. He has displayed freedom with the text, invented whole incidents, or completed incidents, or changed them. His object has been to fill children's imaginations with bright images. Andrew Lang (1844–1912) has given the tale mainly to entertain children. He has accepted translations from many sources and has given a straightforward narration. He has collected fairy tales indefatigably in his rainbow Fairy Books, but they are not always to be recommended for children.
Andersen (1805–75), like Perrault, made his tale for the child as an audience, and he too has put the tale into literary form. Andersen's tale is not the old tale, but an original creation, a number of which are based on old folk-material. Preserving the child's point of view, Andersen has enriched his language with a mastery of perfection and literary style. And the "mantle of Andersen" has, so far, fallen on no one.
To-day it is to be questioned if the child should be given the tale in nurses' talk. To-day children are best cared for by mothers who feel ignorant if they
