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pattern, and that you could have a block cut from it in wood or metal.’ ‘Now, really, that is a capital idea, James. I am almost inclined to be glad that you were so—that you forgot the chintzes on Monday. At any rate, I’ll promise to forgive and forget if you get this lovely old thing copied. No one will have anything in the least like it, and mind, James, we won’t allow it to be sold. Now I must go, and I’ve totally forgotten what it was I came in to say: never mind, it’ll keep.’

After his aunt had gone James Denton devoted a few minutes to examining the pattern more closely than he had yet had a chance of doing. He was puzzled to think why it should have struck Miss Benton so forcibly. It seemed to him not specially remarkable or pretty. No doubt it was suitable enough for a curtain pattern: it ran in vertical bands, and there was some indication that these were intended to converge at the top. She was right, too, in thinking that these main bands resembled rippling—almost curling—tresses of hair. Well, the main thing was to find out by means of trade directories, or otherwise, what firm would undertake the reproduction of an old pattern of this kind. Not to delay the reader over