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LEONARDO DA VINCI.
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from the great distance at which passages on the same subject are placed from each other, they must have been entered without any regard to method or arrangement of any kind whatever.

The volume in the possession of his Britannic Majesty is described as consisting “of a variety of elegant heads, some of which are drawn with red and black chalks on blue or red paper, others with a metal pencil on a tinted paper; a few of them are washed and heightened with white, and many are on common paper. The subjects of these drawings are miscellaneous, as portraits, caricatures, single figures, tilting, horses, and other animals; botany, optics, perspective, gunnery, hydraulics, mechanics, and a great number of anatomical subjects, which are drawn with a more spirited pen, and illustrated with a variety of manuscript notes. This volume contains what is of more importance, the very characteristic head of Leonardo, as it was sketched by himself, and now engraved by that eminent artist Mr. Bartolozzi[1].” Specimens from this volume have been published some years since by Mr. Dalton, and more recently and accurately by Mr. Chamberlaine; and though it must be confessed, that the former are extremely ill

  1. See the Life prefixed to Mr. Chamberlaine’s publication of the Designs of Leonardo da Vinci, p. 11.
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drawn,