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CATALOGUE OF THE WORKS

the picture is still in the sacristy of St. Celsus at Milan[1].

A drawing of an old man’s head, seen in front, in red chalk; mentioned Lett. Pitt. vol. ii. p. 191.

A carton designed by him for painting the council-chamber at Florence. The subject which he chose for this purpose was, the history of Niccolo Piccinino, the Captain of Duke Philip of Milan, in which he drew a group of men on horseback fighting for a standard[2]. Mariette, in a note, Lett. Pitt. vol. ii. p. 193, mentions this carton, which he says represented two horsemen fighting for a standard; that it was only part of a large history, the subject of which was the rout of Niccolo Piccinino, General of the army of Philip Duke of Milan, and that a print was engraven of it by Edelinck, when young, but the drawing from which he worked was a bad one. In the catalogue of prints from the works of Leonardo, inserted Lett. Pitt. vol. ii. p. 195, this print is again mentioned and described more truly, as representing four horsemen fighting for a standard. It is there supposed to have been engraven from a drawing by Fiammingo, and that this drawing might have been made from the picture which Du Fresne speaks of as being in his time in the possession of Sig. La Maire, an excellent painter of perspective.

  1. Vasari, p. 39, in a note.
  2. Vasari, 41. In the suppl. to the life, Vasari, 68, the subject painted in the council-chamber at Florence is said to be the wonderful battle against Attila.
A design