more famous and classic seas. At the tables of the gods, after feasting follow music and song; we will recline now under these island trees, and for our minstrel call on
ANACREON.
"Nor has he ceased his charming song, but still that lyre,
Though he is dead, sleeps not in Hades."
I lately met with an old volume from a London bookshop, containing the Greek Minor Poets, and it was a pleasure to read once more only the words,—Orpheus,—Linus,—Musæus,—those faint poetic sounds and echoes of a name, dying away on the ears of us modern men; and those hardly more substantial sounds, Mimnermus—Ibycus—Alcæus— Stesichorus—Menander. They lived not in vain. We can converse with these bodiless fames without reserve or personality.
I know of no studies so composing as those of the classical scholar. When we have sat down to them, life seems as still and serene as if it were very far off, and I believe it is not habitually seen from any common platform so truly and unexaggerated as in the light of literature. In serene hours we contemplate the tour of the Greek and Latin authors with more pleasure than the traveller does the fairest scenery of Greece or Italy. Where shall we find a more refined society? That highway down from Homer and Hesiod to Horace and Juvenal is more attractive than the Appian. Reading the classics, or conversing with those old Greeks and Latins in their surviving works, is like walking amid the stars
