an organ, I really believe that I should never sin. Here, instead of an organ, there is an old woman, in the choir, with blue spectacles, and a poor little black shawl over her shoulders, who painfully drums on a sort of piano, wheezy and out of tune. And the people are always coughing and hawking, the droning of the priest and the responses of the choristers being drowned by a sound of catarrh. And how bad it all smells,—mingled odors of the muck-heap, of the stable, of the soil, of sour straw, of wet leather, of damaged incense. Really, they are very ill-bred in the country.
The mass drags along, and I grow weary. I am especially vexed at finding myself among people so ordinary and so ugly, and who pay so little attention to me. Not a pretty spectacle, not a pretty costume with which to rest my thought or cheer my eyes. Never did I better understand that I am made for the joy of elegance and style. Instead of being lifted up, as at mass in Paris, all my senses take offence, and rebel at once. For distraction, I follow attentively the movements of the officiating priest. Oh! thank you! he is a sort of tall, jovial fellow, very young, with an ordinary face, and a brick-red complexion. With his dishevelled hair, his greedy jaw, his gluttonous lips, his obscene little eyes, and his eyelids circled with black, I have sized him up at once. How he must enjoy himself at the table! And at the confessional,
