the adjustment of days to works proceeds upon a clear principle, and results in a symmetrical arrangement. Its effect is to divide the creative process into two stages, each embracing four works and occupying three days, the last day of each series having two works assigned to it. There is, moreover, a remarkable, though not perfect, parallelism between the two great divisions. Thus the first day is marked by the creation of light, and the fourth by the creation of the heavenly bodies, which are expressly designated 'light-bearers'; on the second day the waters which afterwards formed the seas are isolated and the space between heaven and earth is formed, and so the fifth day witnesses the peopling of these regions with their living denizens (fishes and fowls); on the third day the dry land emerges, and on the sixth terrestrial animals and man are created. And it is hardly accidental that the second work of the third day (trees and grasses) corresponds to the last appointment of the sixth day, by which these products are assigned as the food of men and animals. Broadly speaking, therefore, we may say that "the first three days are days of preparation, the next three are days of accomplishment" (Dri. Gen. 2). Now whether this arrangement belongs to the original conception of the cosmogony, or at what stage it was introduced, are questions very difficult to answer. Nothing at all resembling it has as yet been found in Babylonian documents; for the division into seven tablets of the Enuma eliš series has no relation to the seven days of the biblical account.[1] If therefore a Babylonian origin is assumed, it seems reasonable to hold that the scheme of days is a Hebrew addition; and in that case it is hard to believe that it can have been introduced without a primary reference to the distinctively Israelitish institution of the weekly Sabbath. It then only remains to inquire whether we can go behind the present seven days' scheme, and discover in the narrative evidence of an earlier arrangement which either ignored the seven days altogether, or had them in a form different from what we now find.
The latter position is maintained by We. (Comp.2 187 ff.), who holds that the scheme of days is a secondary addition to the framework as it came from the hand of its Priestly author (Q). In the original cosmogony of Q a division into seven days was recognised, but in a different form from what now obtains; it was moreover not carried through in detail, but merely indicated by the statement of 22 that God finished His work on the seventh day. The key to the primary arrangement he finds in the formula of approval, the absence of which after the second work he explains by the consideration that the separation of the upper waters from the lower and of the lower from the dry land form really but one work, and were so regarded by Q. Thus the seven works of creation were (1) separation of light from darkness; (2) separation of waters (vv.6-10); (3) creation of plants; (4) luminaries; (5) fish and fowl; (6) land animals; (7) man. The statement that God finished His work on the seventh day We. considers
- ↑ See below, p. 43 ff. On the other hand there are Persian and Etruscan analogies; see p. 50.
